Brothers Paul and Huw Watkins British Works for Cello and Piano, a series remain[ing] by far the best recorded guides to this powerful and enjoyable repertoire according to BBC Music, reaches its fourth volume. Following Kenneth Leightons three-movement Partita, op. 35 comes Elisabeth Lutyens Constants, op. 110, whose four melodic and harmonic intervallic constants are used exclusively throughout the work. Alun Hoddinotts Sonata, op. 96/1 is notable for its clear, open textures, often of two-part counterpoint. Richard Rodney Bennetts four-movement Sonata ends the program.
"…Stefan Irmer has clearly studied and truly learned this music. So often on a disc of rarely performed music one gets the feeling that the pianist is sight-reading the notes in order to make a recording of previously unrecorded music. Not so here. Irmer performs with wonderful clarity, variety of tone, panache, and commitment. He truly sells the music.
Natural recorded sound, capturing very well the 1901 Steinway used for the recording, rounds out a delightful disc." ~Fanfare
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Paul Watkins is one of the world’s finest cellists. He is much in demand throughout the world and although he has made several recordings for Chandos in the past, this is his first as an exclusive artist. He is accompanied by his brother Huw Watkins, with whom he has developed an extremely rewarding musical partnership. The three cello sonatas of the Czech composer Bohuslav Martinu span the period 1939 – 52 and are full of rewarding musical invention. The experience of his long exile was often expressed in his music, particularly here in the Third Sonata and in the Variations on a Slovak Theme. If in the First, competed in 1939, the unease occasioned by World War II may be detected in the first two movements, the energetic finale, driven by Martinu’s motoric rhythms, prompted the composer to remark of its first performance: ‘It came as a last greeting, a beam of light from a better world (which is the opinion of others, not my own). For several minutes we realised what music could give us and we forgot about reality.’