Starting in 2003, Jonathan Nott and the Bamberg Symphony pursued the ambitious project of recording Franz Schubert's symphonies Nos. 1-8, and the SACDs were individually released later that decade to considerable critical praise. This 2011 set of six SACDs brings together the four albums with the symphonies, plus two collections of modern compositions inspired by Schubert's music. Nott's conducting tends to be on the fast side in Schubert, and the Bamberg Symphony is sometimes a little uneven in sound quality. But by and large, they demonstrate a great understanding of Schubert's styles, both in his Classical and Romantic veins, and acquit themselves with enthusiasm and brilliance.
Mahler’s Resurrection has been much recorded in recent years, so much so that new versions prompt one to groan inwardly and mutter: ‘Not another one’. Such ubiquity has its price, for any newcomer has to be something out of the ordinary if it’s to have any impact. Of recent releases David Zinman (Sony-BMG), Jonathan Nott (Tudor) and James Levine (Orfeo) definitely belong in this category; Vladimir Jurowski (LPO) and Markus Stenz (Oehms) manifestly don’t. And now Oehms are taking another bite out of the cherry, with the Hamburg orchestra led by their chief conductor Simone Young. Curiously, this was recorded at around the same time as the Stenz Mahler 2, which seems extravagant in this already overstocked field.