John Coltrane Half Note

John Coltrane - Blue Train (1957) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81001}

John Coltrane - Blue Train (1957) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 516 Mb | MP3 @320 -> 159 Mb
Full Artwork @ 600 dpi (png) -> 262 Mb | 5% repair rar | 24bit 192kHz remaster
© 1957, 2014 Universal Japan / Blue Note / Capitol | BN 75th The Masterworks | TYCJ-81001
Jazz / Hard Bop / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Blue Train" for the first time in the world. Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train – Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry – touching upon all forms in between.
Duke Ellington, John Coltrane - Duke Ellington & John Coltrane (1962/2016) [Official Digital Download 24/192]

Duke Ellington, John Coltrane - Duke Ellington & John Coltrane (1962/2016)
FLAC (tracks) 24-bit/192 kHz | Time - 34:55 minutes | 1,59 GB
Studio Master, Official Digital Download | Artwork: Front cover

Two titans of jazz come together in a rare and highly acclaimed collaboration, recorded in 1962. At the time, Duke Ellington had been working with various veteran jazz artists of the day such as Louis Armstrong and Count Basie, but John Coltrane was half Ellington's age and not nearly as famous at the time as he was going to be. For these small group sessions, each headliner brought his own bassist and drummer, who play in various combinations on the seven songs.

John Coltrane - Blue Train (1957) [MFSL, UDCD 547] Repost  Music

Posted by v3122 at Dec. 3, 2016
John Coltrane - Blue Train (1957) [MFSL, UDCD 547] Repost

John Coltrane - Blue Train (1957)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1991 | Mobile Fidelity Sound Lab, UDCD 547 | ~ 292 or 104 Mb | Scans(jpg) -> 33 Mb
Jazz, Post Bop

Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train – Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities…

John Coltrane - The Bethlehem Years (2000) {Avenue Jazz}  Music

Posted by TestTickles at June 7, 2016
John Coltrane - The Bethlehem Years (2000) {Avenue Jazz}

John Coltrane - The Bethlehem Years (2000) {Avenue Jazz}
EAC Rip | FLAC with CUE and log | scans | 902 mb
MP3 CBR 320kbps | RAR | 311 mb
Genre: jazz

The Bethlehem Years is a 2CD compilation by John Coltrane. Originally released in 1994, this edition was made by Avenue Jazz/Rhino Records in 2000, consisting of recording sessions from December 1957 when Coltrane was doing sessions for others.

Thelonious Monk Quartet with John Coltrane at Carnegie Hall  eBooks & eLearning

Posted by interes at April 2, 2016
Thelonious Monk Quartet with John Coltrane at Carnegie Hall

Thelonious Monk Quartet with John Coltrane at Carnegie Hall (Oxford Studies in Recorded Jazz) by Gabriel Solis
English | 2013 | ISBN: 0199744351, 019974436X | 198 pages | PDF | 1,4 MB
John Coltrane - Coltrane Live At Birdland (1963) {Impulse!-Verve Originals rel 2008}

John Coltrane - Coltrane Live At Birdland (1963) {Impulse!-Verve Originals rel 2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 279 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 600 dpi (png) -> 203 Mb | 5% repair rar
© 2008 Impulse! / Verve / UMG | Verve Originals Series | 0602517649002 | LP AS-50
Jazz / Modal Music / Avant-Garde Jazz / Modern Jazz / Saxophone

Arguably John Coltrane's finest all-around album, this recording has brilliant versions of "Afro Blue" and "I Want to Talk About You"; the second half of the latter features Coltrane on unaccompanied tenor tearing into the piece but never losing sight of the fact that it is a beautiful ballad. The remainder of this album ("Alabama," "The Promise," and "Your Lady") is almost at the same high level.
John Coltrane and Johnny Hartman - John Coltrane and Johnny Hartman (1963) {Impulse!-Verve Originals rel 2008}

John Coltrane and Johnny Hartman - John Coltrane and Johnny Hartman (1963) {Impulse!-Verve Originals rel 2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 179 Mb | MP3 @320 -> 74 Mb
Full Artwork @ 600 dpi (png) -> 160 Mb | 5% repair rar
© 2008 Impulse! / Verve / UMG | Verve Originals Series | 0602517648975 | LP AS-40
Jazz / Standards / Vocal Jazz / Saxophone

John Coltrane's matchup with singer Johnny Hartman, although quite unexpected, works extremely well. Hartman was in prime form on the six ballads, and his versions of "Lush Life" and "My One and Only Love" have never been topped. Coltrane's playing throughout the session is beautiful, sympathetic, and still exploratory; he sticks exclusively to tenor on the date. At only half an hour, one wishes there were twice as much music, but what is here is classic, essential for all jazz collections.
Duke Ellington & John Coltrane - Duke Ellington & John Coltrane (1962) {Impulse!-Verve Originals rel 2007}

Duke Ellington & John Coltrane - Duke Ellington & John Coltrane (1962) {Impulse!-Verve Originals rel 2007}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 223 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (png) -> 151 Mb | 5% repair rar
© 2007 Impulse! / Verve / UMG | Verve Originals Series | 0602517486270 | LP AS-30
Jazz / Post Bop / Mainstream Jazz / Piano / Saxophone

The classic 1962 album Duke Ellington & John Coltrane showcased the rising jazz saxophone innovator performing alongside the long-established piano institution. While the pairing might have portended a dynamic clash of the musical generations, instead we got a casual, respectful, and musically generous meeting of like-minded souls. Similarly, while one might have assumed that Ellington would use his sidemen, instead producer Bob Thiele (who also produced similar albums for Ellington including pairings with Louis Armstrong and Coleman Hawkins) chose to bring in Coltrane's own outfit for the proceedings.
John Coltrane - Stellar Regions (1967) {2015 Japan Impulse! Classics 50 Series}

John Coltrane - Stellar Regions (1967) {2015 Japan Impulse! Classics 50 Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 382 Mb | MP3 @320 -> 144 Mb
Full Artwork @ 600 dpi (png) -> 382 Mb | 5% repair rar
© 2015 Impulse! / Verve / Universal Music Japan | UCCI-9251
Jazz / Avant-Garde Jazz / Saxophone

Unreleased gems from Coltrane – recorded near the end of his life, in 1967, with a quartet that includes Alice Coltrane on piano, Jimmy Garrison on bass, and Rashied Ali on drums. The tracks are free – but not as free as work on a record like OM – more in the mode of Ali and Trane's work on the Interstellar Space LP. Titles include "Jimmy's Mode", "Tranesonic", "Seraphic Light", "Sun Star", and "Iris" – and the CD version is extra-packed with music, and includes some bonus alternate takes!
John Coltrane - Blue Train + Traneing In + Dakar (1957) 2CD Edition 2010

John Coltrane - Blue Train + Traneing In + Dakar (1957) 2CD Edition 2010
EAC | FLAC | Tracks (Cue&Log) ~ 697 Mb (incl 5%) | Mp3 (CBR320) ~ 342 Mb (incl 5%) | Scans included
Genre: Hard Bop, Modal Jazz | Label: Not Now Music | # NOT2CD291 | Time: 01:59:49

The tenor sax giant had signed with another label when he embarked on this one-off date for Blue Note, an excursion that paid off with an enduring modern jazz masterpiece. Boasting volley after volley of smart soloing and intuitively swinging rhythm work, Blue Train is a joy, from the coolly precise ensemble entry on the opening title piece through the set's balance of elegant hard bop conversations and smooth downshifts into ballads. John Coltrane wrote four originals for the date, all of them now regarded as standards, and assembled a rhythm section including pianist Kenny Drew, Miles Davis's rhythm section of bassist Paul Chambers and drummer Philly Joe Jones, and trumpeter Lee Morgan and trombonist Curtis Fuller, both recent Blue Note recruits. Coltrane's signature sound, now fully developed but still hewing more to familiar blues and chromatic harmonies than his later modalities, is confident and expansive, and his partners respond vividly throughout.