For the 2014/15 Opening Night Concert and Gala, the Los Angeles Philharmonic paid loving tribute to composer John Williams, one of the most popular and successful American composers of the modern age and long a champion and close friend of the orchestra. Gustavo Dudamel, an awestruck fan of the musical icon, led the orchestra in a cross-section of Maestro Williams' matchless canon. The concert features Itzhak Perlman with a very special musical performance of pieces from Schindler's List as well as the cadenza and variations from Fiddler On The Roof. Jazz elements fill the air during Escapades from Catch Me If You Can, and may the force be with you during the iconic tunes from Star Wars. The Blu-ray bonus features include interviews with the main protagonists, including Gustavo Dudamel, John Williams, and Itzhak Perlman.
John Williams, classical guitar virtuoso, is known for his wide-ranging approach to repertory, which includes appearances playing electric rock guitar and international music. (…) Williams has toured throughout the world. He has performed and recorded nearly the entire standard guitar repertory, plus a large quantity of transcriptions. Several of these transcriptions are by his own hand. He was a professor of guitar at the Royal College of Music in London from 1960 to 1973. However, he also has a strong tendency to explore music outside the classical tradition. He does session work on film soundtracks, has arranged Beatles songs, and plays electric guitar in Sky, a classical-rock fusion band. He has also formed his own ensembles, John Williams and Friends and Attacca, to explore other music.
Somehow the grandfather of British blues still had the fire in his belly to record a strong album almost 40 years after he began his storied career. Buddy Whittington acquits himself well as the latest in a long line of hotshot guitarists for this multi-instrumentalist, who still does his best work on harmonica. He still admires long-dead bluesman J.B. Lenoir, including "Voodoo Music" here. A lot of credit for this strong outing goes to R.S. Field, lyricist and sometime producer for Webb Wilder. "Long Story Short" would pass for a Wilder tune were it not for Mayall's distinctive voice.
The debut album by John Foxx And The Maths will be released by Metamatic Records on 21st March, 2011. Interplay is a collaboration between John Foxx and electronic composer and synthesizer collector, Benge (Ben Edwards). He's best known for his 2008 album, Twenty Systems which was described by Brian Eno as 'a brilliant contribution to the archaeology of electronic music.' The album will initially be available as a Deluxe Digipack limited to 1500 copies, designed by Jonathan Barnbrook whose previous work includes David Bowie's Heathen and Reality albums. Moody and atmospheric, but also full of songs that are actually more pop than avant garde, Interplay pulls various strands of electronic music together from early 80s electro to 70s Krautrock, even flashes of Cabaret Voltaire and Foxx s first band, Ultravox!
Over the 90-year history of sound film, there have been a handful of instances where a director and a composer have formed a longtime partnership that resulted in a series of classical scores, creating music that stands the test of time. None, however, have been as long or as fruitful as the 43-year collaboration of Steven Spielberg and John Williams. None have encompassed such a wide range of subject matter or, more significantly, have had such an enormous impact on worldwide popular culture. From the ominous shark signature of Jaws to the five-note alien greeting of Close Encounters of the Third Kind; from the heroic march of Raiders of the Lost Ark to the moving themes for Schindler’s List – the music Williams has written for more than two dozen Spielberg projects has not only served them brilliantly but entered the wider public consciousness.