Ernest John Moeran was born in London but grew up in Norfolk and had strong ties with Ireland. While still a student at the Royal College of Music he was inspired by a performance of Vaughan Williams’s Norfolk Rhapsody that seemed “to breathe the very spirit of the English countryside”, and was soon collecting folksongs for himself. Moeran’s transcriptions were taken from English and Irish traditional singers with both rural and seafaring backgrounds, rescuing music and words both entertainingly earthy and sublimely beautiful which would otherwise have died with the artists who performed them.
An album entitled Renaissance is long overdue for the widely acclaimed Renaissance Man Marcus Miller. In among the most enviable careers in music, Miller is a two-time Grammy-winner and the composer/producer of ten critically acclaimed and genre-defying albums (seven studio and three live). Even the most devoted follower may be astonished to realise that Renaissance is only his eighth studio project since his 1983 debut, Suddenly, considering the abundance of occasions Miller's name has appeared within album credits and that he has dazzled with performances, compositions and productions in the company of some of the world s most respected and accomplished players and superstars - from the mid-'70s to the present.
Excellent addition to any fusion music collection
Somehow passed over and nearly forgotten, languishing in the shadow of the 'Friday Night in San Francisco' set, is this great album from the guitar hero team. The immediacy of that first release is still here but this session benefits from the quiet calm of the studio and less chance for the these luminaries to get caught up in showmanship. Rather, a proper selection of music is heard and the delicate balance the three achieve between jazz spontaneity, Spanish heat, and the precision of Latin fusion is more clearly rendered than on the beloved but somewhat cold 'Friday Night'. And the music is better, too, if only from lack of exposure.