In the mid '60s the Chicago based label Vee Jay put out a Hooker LP entitled 'Is he the world's greatest blues singer?', well, it is safe to say now that Hooker is certainly a prime contender. Despite being labelled as an anachronism. Mr. Hooker has proved to be with B.B. King the most successful of all blues artists. A big seller to the black audiences of the late '40s/early '50s and up today, an international celebrity.
This four-disc box from London's JSP Records collects an astounding 100 songs recorded by John Lee Hooker in Detroit from the years 1948 to 1952, including his first two sides ever, the signature tunes "Boogie Chillen" and "Sally Mae." Most of the tracks here are done solo, with Hooker's ever-present foot-stomping, although a few feature other musicians on loose-limbed blues boogies. Since Hooker never significantly altered his style during his long career, these first recordings set the stage for all that came after, and he arguably never sounded fresher or better. Four discs worth of this throwback Mississippi bluesman will be severe overkill for casual listeners, but diehard Hooker fans will find this box set absolutely essential.
Two classic Hooker LPs, all digitally re-mastered, 22 solid slabs of dark, leathery, brooding nostalgia. This is the electric blues at its very roots. If there’s still anyone out there reading this magazine who hasn’t at least one Hooker album in their collection, then you’re still a long way from qualifying as a blues aficionado. So this is a good place to start. This stripped-bare, one man and a growling electric guitar (on most tracks) music is the stuff those guys who fled the south for the auto production lines in the north used to listen to.
This Soul Jam release presents one of Hooker's most difficult to find albums on CD, the eponymous John Lee Hooker. It was originally released in 1962 by the Fantasy Records' subsidiary Galaxy label. The album includes a selection of hard-to-find recordings taped with his electric guitar during different sessions in the 1950s, all of them produced by Bernard Besman, the man who helped define Hooker's recorded sound, which has often relied upon heavy walking beats, boogies, and an eerie atmosphere. In addition to the original masterpiece, this remastered collector's edition also contains 8 bonus tracks from the same period.
In 1959, John Lee Hooker signed a one-off deal with the Riverside label to record an acoustic session of the country blues. It was a key change from his earlier recordings, most of which had featured Hooker on an electric guitar with his trademark reverb and stomping foot. Folk purists of the day were delighted with COUNTRY BLUES, believing Hooker had returned to his roots, leaving the "glitzy commercialism" of R&B behind. But some Hooker fans considered COUNTRY BLUES a "betrayal" of his true sound.
The Hook's definitive duets album, remastered and expanded! Up and Down with Johnnie Johnson joins Boogie Chillen with Eric Clapton; The Healer with Carlos Santana; Dimples with Los Lobos; the Grammy-winning I'm in the Mood with Bonnie Raitt and Don't Look Back with Van Morrison, and more…