John Coltrane Rvg

John Coltrane & Johnny Hartman - John Coltrane & Johnny Hartman (1963) [MFSL, UDCD 740]

John Coltrane & Johnny Hartman - John Coltrane & Johnny Hartman (1963)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1999 | Mobile Fidelity Sound Lab, UDCD 740 | ~ 174 or 88 Mb | Scans Included
Jazz / Post Bop / Saxophone / Vocal Jazz

John Coltrane's matchup with singer Johnny Hartman, although quite unexpected, works extremely well. Hartman was in prime form on the six ballads, and his versions of "Lush Life" and "My One and Only Love" have never been topped…

John Coltrane - Soultrane (1958) [DCC, GZS-1046]  Music

Posted by v3122 at Dec. 4, 2016
John Coltrane - Soultrane (1958) [DCC, GZS-1046]

John Coltrane - Soultrane (1958)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1993 | DCC, GZS-1046 | ~ 200 or 94 Mb | Scans(jpg) -> 36 Mb
Jazz, Post Bop

In addition to being bandmates within Miles Davis' mid-'50s quintet, John Coltrane (tenor sax) and Red Garland (piano) head up a session featuring members from a concurrent version of the Red Garland Trio: Paul Chambers (bass) and Art Taylor (drums). This was the second date to feature the core of this band. A month earlier, several sides were cut that would end up on Coltrane's Lush Life album…

John Coltrane - Blue Train (1957) [MFSL, UDCD 547] Repost  Music

Posted by v3122 at Dec. 3, 2016
John Coltrane - Blue Train (1957) [MFSL, UDCD 547] Repost

John Coltrane - Blue Train (1957)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1991 | Mobile Fidelity Sound Lab, UDCD 547 | ~ 292 or 104 Mb | Scans(jpg) -> 33 Mb
Jazz, Post Bop

Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train – Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities…
Tadd Dameron with John Coltrane - Mating Call (1956) {2007 Prestige RVG Remasters Series}

Tadd Dameron with John Coltrane - Mating Call (1956) {2007 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 183 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 300 dpi (jpg) -> 43 Mb | 5% repair rar
© 2007 Concord / Prestige | PRCD-30163 | Prestige RVG Remasters Series | 24-bit remaster
Jazz / Hard Bop / Bop / Piano / Saxophone

This fine set, recorded on November 30, 1956, has been reissued several times, often as a John Coltrane date, but make no mistake, this is a Tadd Dameron session, and his elegant compositions are its key component. Coltrane was fresh off playing with Miles Davis in 1956 and was still a year away from heading his own sessions and three years away from recording Giant Steps, so it might be said that he was in transition, but then when was Coltrane not in transition?
John Coltrane - Dakar (1957) {2008 Prestige RVG Remasters Series}

John Coltrane - Dakar (1957) {2008 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 259 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 2008 Concord / Prestige | PRCD-30650 | Prestige RVG Remasters Series | 24-bit remaster
Jazz / Bop / Hard Bop / Saxophone

In the spring of 1957, John Coltrane had gone through two years of artistic growth so concentrated it was astonishing even in the jazz world, where compressed musical development is far from unknown. As the other horn in the Miles Davis Quintet, Coltrane had moved from virtual obscurity to acclaim as the tenor saxophone innovator of the decade. Although major stylistic departures were to come, Coltrane was at a peak of the probing lyricism and strength of his middle period. With the interestingly contrasted baritone saxophonists Cecil Payne and Pepper Adams, and a rhythm section of great smoothness and swing, Dakar is a gem in the Coltrane discography.
John Coltrane Solos: Soprano and Tenor Saxophone by John Coltrane

John Coltrane Solos: Soprano and Tenor Saxophone by John Coltrane
English | Jan 1, 1996 | ISBN: 0793527007 | 144 Pages | PDF | 19,1 MB
John Coltrane - Stardust (1958) {2007 Prestige RVG Remasters Series}

John Coltrane - Stardust (1958) {2007 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 253 Mb | MP3 @320 -> 89 Mb
Full Artwork @ 600 dpi (png) -> 179 Mb | 5% repair rar
© 2007 Concord / Prestige | PRCD-30168 | Prestige RVG Remasters Series | 24-bit remaster | PRLP 7268
Jazz / Hard Bop / Saxophone

“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” —Rudy Van Gelder.
John Coltrane - Lush Life (1958) {2006 Prestige RVG Remasters Series}

John Coltrane - Lush Life (1958) {2006 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 248 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 2006 Concord / Prestige | PRCD-8103-2 | Prestige RVG Remasters Series | 24-bit remaster | PRLP 7188
Jazz / Hard Bop / Saxophone

“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” —Rudy Van Gelder.
John Coltrane - Standard Coltrane (1958) {2009 Prestige RVG Remasters Series}

John Coltrane - Standard Coltrane (1958) {2009 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 257 Mb | MP3 @320 -> 83 Mb
Full Artwork @ 600 dpi (png) -> 187 Mb | 5% repair rar
© 2009 Concord / Prestige | 0888072312210 | Prestige RVG Remasters Series | 24-bit remaster | P-7243
Jazz / Hard Bop / Bop / Saxophone

I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger. — Rudy Van Gelder
Kenny Burrell & John Coltrane - Kenny Burrell & John Coltrane (1958) {2006 Prestige RVG Remasters Series}

Kenny Burrell & John Coltrane - Kenny Burrell & John Coltrane (1958) {2006 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 235 Mb | MP3 @320 -> 89 Mb
Full Artwork @ 600 dpi (png) -> 124 Mb | 5% repair rar
© 2006 Concord / Prestige / New Jazz | 0025218810722 | Prestige RVG Remasters Series | 24-bit remaster | NJ 8276
Jazz / Bop / Hard Bop

For his final Prestige-related session as a sideman, John Coltrane (tenor sax) and Kenny Burrell (guitar) are supported by an all-star cast of Paul Chambers (bass), Jimmy Cobb (drums), and Tommy Flanagan (piano). This short but sweet gathering cut their teeth on two Flanagan compositions, another two lifted from the Great American Songbook, and a Kenny Burrell original. Flanagan's tunes open and close the album, with the spirited "Freight Trane" getting the platter underway. While not one of Coltrane's most assured performances, he chases the groove right into the hands of Burrell.