Brilliant work from Coltrane – recorded in the 60s, but not issued until the late 70s, and only then, not properly in print until the release of this great package! The material is classic Coltrane Quartet sessions – with McCoy Tyner, Jimmy Garrison, and Elvin Jones working with Trane to craft some long tracks that show the expanding genius of the group at the time. The spirit of the work is in the "new thing" mode of the 60s – more adventurous than even Coltrane's work from a few years before – and titles include "Living Space", "Dusk-Dawn", "The Last Blues", and "Untitled 90314".
"The album marks a couple of lasts in Coltrane's career. It's the last time he used the soprano on a studio recording, allegedly; and with 'The Last Blues' is the last time he recorded… well, a blues."
One of the greatest recordings ever made by John Coltrane in his late years – a spare set of duets with drummer Rashied Ali, recorded in 1967, but never issued until after his death! Trane and Ali play in a free spiritualist mode, with no other accompaniment – making for a very unique album, especially for the time, and setting the tone for years of New York improvisation in the 70s. Titles include "Mars", "Venus", "Jupiter", and "Saturn".
Unreleased gems from Coltrane – recorded near the end of his life, in 1967, with a quartet that includes Alice Coltrane on piano, Jimmy Garrison on bass, and Rashied Ali on drums. The tracks are free – but not as free as work on a record like OM – more in the mode of Ali and Trane's work on the Interstellar Space LP. Titles include "Jimmy's Mode", "Tranesonic", "Seraphic Light", "Sun Star", and "Iris" – and the CD version is extra-packed with music, and includes some bonus alternate takes!
Key 60s material from the great John Coltrane – even if the set wasn't ever released until the late 70s! The album's kind of a "prequel" to the later Meditations record, and it stands as a key bridge between Coltrane's modal years and his more spiritual sounds – delivered here by a core quartet, without the larger accompaniment that graced the later version! The classic quartet is at their best – McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – and the sound is slightly more inside than later, but no less filled with searching and yearning! CD version contains a 12 minute extended alternate take of "Joy", the centerpiece of the composition.
Interstellar Space consists of an extended duet suite in four parts with the drummer Rashied Ali, and was recorded at the Van Gelder Studios on February 22, 1967, the week after the session that produced Stellar Regions. As a result, the melodies often overlap; "Venus" has the same melody as the title track of the previous LP, "Mars" quotes the melody of what became known as "Iris", and many note choices and runs are similar. The album is an important example of highly improvised free jazz, which was Coltrane's principal interest in the latter part of his career. Coltrane's improvisations are thus extremely free here, stating tacit modes and harmonies briefly and modulating constantly, fitting extremely dense, twisting expressions into breath-length phrases.
Interstellar Space was the one of the final studio albums recorded by the saxophonist John Coltrane before his death in 1967, originally-released posthumously by Impulse! Records on LP in 1974.
The fifth and final volume in Universal's massive John Coltrane: The Impulse! Albums in the Originals series, contains five recordings, all issued posthumously between 1970 and 1973. Two of these, Transition and Sun Ship, feature Coltrane's classic quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones. Of the remaining albums, two are live recordings – Live in Seattle and Concert in Japan – the remaining one being the infamous Infinity.