One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half years. Recorded over two days in December 1964, Trane's classic quartet–Elvin Jones, McCoy Tyner, and Jimmy Garrison– stepped into the studio and created one of the most the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship.
Here it is: eight CDs worth of John Coltrane's classic quartet, comprised of bassist Jimmy Garrison, pianist McCoy Tyner, and drummer Elvin Jones, recorded between December of 1961 and September of 1965 when the artist followed his restless vision and expanded the band before assembling an entirely new one before his death. What transpired over the course of the eight albums and supplementary material used elsewhere is nothing short of a complete transfiguration of one band into another one, from a band that followed the leader into places unknown to one that inspired him and pushed him further. All of this transpired in the span of only three years.
Bahia is a steady, often very good hard-blowing and blues date featuring John Coltrane, recorded during one of his busiest periods, 1957-1958, but not released until 1965. (Coltrane cut numerous sessions during the late '50s for Prestige to satisfy a commitment to the label and move to Atlantic; some of these were packaged and released long after they were cut.) Most were done with the same rhythm section: pianist Red Garland, bassist Paul Chambers, and drummer Art Taylor (although Jimmy Cobb substituted for Taylor on two songs). Also featured is additional work by a pair of trumpeters: Wilbur Harden appears on "My Ideal" and "I'm a Dreamer, Aren't We All," while Freddie Hubbard takes over on "Something I Dreamed Last Night."
This single-disc Concert in Japan by John Coltrane's 1966 quintet is a reissue of the original double LP that was released as IMR 9036C in 1973. Its three selections include two long instrumental pieces and a spoken introduction of the musicians in Japanese. These performances are compiled from two Tokyo dates. This set is not to be confused with the four-disc document that includes both Tokyo concerts in their entirety. The band here performs a 25-minute "Peace on Earth," a ballad that Coltrane wrote especially for the tour, to express his empathy and sympathy for the nuclear destruction Japan experienced during WWII. The tune moves outside, but stays well within the realm of spiritual boundary-pushing that the band was easily capable of.