Verve's Master Edition of the Oscar Peterson Trio date released as Night Train includes stately covers of blues and R&B standards like "The Honeydripper," "C-Jam Blues," "Georgia on My Mind," "Bags' Groove," "Moten Swing," and "Things Ain't What They Used to Be." Ray Brown and Ed Thigpen provide tight accompaniment, and there are six previously unavailable tracks recorded the same day, including "My Heart Belongs to Daddy" and "Volare," as well as alternate takes of "Happy-Go-Lucky Local" and "Moten Swing."
Classical violinist Itzhak Perlman is not a jazz improviser, so this meeting with the Oscar Peterson Quartet is more a loving tribute to the melodies (ten veteran standards plus two Peterson originals) than a strong jazz date. While Perlman sticks closely to the themes, one's attention focuses much more on Peterson, who had suffered a serious stroke a few years earlier and had been inactive ever since. Peterson sounds healthy in his supportive role, and although it is doubtful if he sweat much during this relaxed music, his apparent comeback is great news. Guitarist Herb Ellis has the most rewarding solos, although his spots are short.
Oscar Peterson has stated that he feels his MPS recordings are his finest. That is quite a statement considering the huge amount of records that the pianist has produced through the past 50 years. This set reissues the music from six of his MPS LPs: Action, Girl Talk, The Way I Really Play, My Favorite Instrument, Mellow Mood, and Travelin' On. While some of the performances feature the 1963 trio he had with bassist Ray Brown and drummer Ed Thigpen, most of the music dates from 1967-1968 and matches Peterson with bassist Sam Jones and either Louis Hayes or Bobby Durham on drums. A special treat is Peterson's first unaccompanied solo album, which fills up the final LP. Peterson's many fans know what to expect in this set, while other listeners need to discover him to realize what all of the fuss was about. Quite simply, Oscar Peterson has long been one of the greatest pianists the world has ever known; this reissue offers plenty of proof.