This soundtrack to the popular 1982 animated film based on the acclaimed children's book by Peter Beagle was scored by songwriter/composer Jimmy Webb ("Wichita Lineman," "MacArthur Park") and features performances from the soft rock duo America. The score itself, an appropriately somber and sentimental blend of fairy tale motifs and dark, Wagnerian cues, reflects the story's achingly beautiful tale of a unicorn who attempts to overthrow a maniacal king determined to rid the world of the magical creatures, while the songs are far more creative, daring, and eloquent than all of the cookie-cutter balladry that would eventually replace their type in future animated films. Like Watership Down, The Hobbit, and even Robert Altman's live action, Harry Nilsson-scored Popeye, this hard to find soundtrack is a gem from another age.
Just Across the River is the twelfth album by American singer-songwriter Jimmy Webb, released in June 2010 by Koch Records. The album features thirteen classic Jimmy Webb tunes performed by Webb with guest appearances by friends, collaborators, admirers, and fellow recording artists Linda Ronstadt, Jackson Browne, Billy Joel, Willie Nelson, Glen Campbell, Michael McDonald, Mark Knopfler, J.D. Souther, Vince Gill, and Lucinda Williams.
This two-fer from Dutton Vocalion features a pair of out of print Ronnie Aldrich LPs: The World of Burt Bacharach and Webb Country, originally issued in 1972 and 1977, respectively. These 21 tracks are dominated by Muzak versions of popular songs of the era written by Bacharach and Hal David and include "(They Long to Be) Close to You," "Raindrops Keep Fallin' on My Head," and "This Guy's in Love with You." The remaining tunes are from the songbook of Jimmy Webb and include "MacArthur Park," "Wichita Lineman," and "Up, Up and Away." This is an enjoyably relaxing reissue from Aldrich's deleted catalog on London Records.
This is a great collection of rare and hard to find tunes compiled by Jeffrey Glenn. Hundreds of odds & ends by little known groups, famous singers, and famous singers before they became famous.
It’s an almost hackneyed notion, the general life and times of many bands. The fortuitous debut album that strikes gold, the make-or-break sophomore effort and finally, that much-scrutinized third LP. Dutch art rockers Mister and Mississippi aren’t claiming to be the exception to the rule. Albeit from purely a musical vantage point, the band has – by all means – opted for a new creative trajectory. Third LP ‘Mirage’ employs a darker, heavier undercurrent of synths, bass and drums lurking beneath the group’s well-established sonorous majesty and crisp vocals. There’s a more ominous, acidic punch to the music’s structure, dynamics and growth, marking a radical stylistic shift from the palliative, simmering indie folk prevalent on Mister and Mississippi’s previous two albums. ‘Mirage’ finds the band avidly reinventing themselves in both arrangement and production, poised to become one of the more eye-opening entries of 2017…
Named after The Muffins' 1978 debut album - one of the essential Canterbury-related releases - Manna/Mirage is the newest project by founding member Dave Newhouse (one of the band's two woodwind players). Not surprisingly, fellow Muffins Billy Swann and Paul Sears are also on board, as well as Newhouse’s son George, guitarist Mark Stanley (of Chainsaw Jazz and Thee Maximalists), and newest recruit, Steve Pastena, on French horn. The ensemble's debut, released in the autumn of 2015, bears the title of Blue Dogs - a title inspired by a painting by artist and RIO/Canterbury fan Gonzalo Fuentes Riquelme (aka Guerrilla Graphics), which graces the CD cover. The album was mixed and produced by none other than Mike Potter of Orion Studios - probably the most important venue for progressive music in the US, and the setting of The Muffins' most recent performance to date, in May 2015.
The sky is the limit when tenor saxophone virtuoso Doug Webb turns his attention toward the "Bright Side" on his seventh release for Posi-Tone. Everything swings steadily as Webb plays with remarkable technical precision and a manifest knowledge of his materials. His tone is robust and extraordinarily well-centered, his articulation sharp, and his command of the tenor saxophone complete. Nevertheless, he is more than a mere technician, for his artistry is also considerable and this album is a crowning achievement for an artist who is as substantial a musician as jazz has ever produced. Along with the able assistance of an all-star group of label mates – who are of course all leaders in their own right – including organist Brian Charette, guitarist Ed Cherry, drummer Steve Fidyk, and special guest trumpet sensation Joe Magnarelli, Webb has fashioned a shining diadem of melodic jewels across a wide spectrum of styles and sounds! Critical listeners and casual fanatics everywhere will shine with intense delight as Webb soars onward and upward to new heights with "Bright Side".