This soundtrack to the popular 1982 animated film based on the acclaimed children's book by Peter Beagle was scored by songwriter/composer Jimmy Webb ("Wichita Lineman," "MacArthur Park") and features performances from the soft rock duo America. The score itself, an appropriately somber and sentimental blend of fairy tale motifs and dark, Wagnerian cues, reflects the story's achingly beautiful tale of a unicorn who attempts to overthrow a maniacal king determined to rid the world of the magical creatures, while the songs are far more creative, daring, and eloquent than all of the cookie-cutter balladry that would eventually replace their type in future animated films. Like Watership Down, The Hobbit, and even Robert Altman's live action, Harry Nilsson-scored Popeye, this hard to find soundtrack is a gem from another age.
Just Across the River is the twelfth album by American singer-songwriter Jimmy Webb, released in June 2010 by Koch Records. The album features thirteen classic Jimmy Webb tunes performed by Webb with guest appearances by friends, collaborators, admirers, and fellow recording artists Linda Ronstadt, Jackson Browne, Billy Joel, Willie Nelson, Glen Campbell, Michael McDonald, Mark Knopfler, J.D. Souther, Vince Gill, and Lucinda Williams.
This two-fer from Dutton Vocalion features a pair of out of print Ronnie Aldrich LPs: The World of Burt Bacharach and Webb Country, originally issued in 1972 and 1977, respectively. These 21 tracks are dominated by Muzak versions of popular songs of the era written by Bacharach and Hal David and include "(They Long to Be) Close to You," "Raindrops Keep Fallin' on My Head," and "This Guy's in Love with You." The remaining tunes are from the songbook of Jimmy Webb and include "MacArthur Park," "Wichita Lineman," and "Up, Up and Away." This is an enjoyably relaxing reissue from Aldrich's deleted catalog on London Records.
This is a great collection of rare and hard to find tunes compiled by Jeffrey Glenn. Hundreds of odds & ends by little known groups, famous singers, and famous singers before they became famous.
Fleetwood Mac retreated from the insular strangeness of Tusk and returned to straightforward pop songcraft for Mirage. Boasting a glossy, friendly production that makes even the lesser numbers pleasant and ingratiating, Mirage nonetheless suffers from a lack of substance…