Jimmy Smith Confirmation

Jimmy Smith - Confirmation (1957)  Music

Posted by TmanHome at Dec. 22, 2016
Jimmy Smith - Confirmation (1957)

Jimmy Smith - Confirmation (1957)
Jazz, Hard Bop | MP3 320 kbps CBR | 46 min | 114 MB
Label: Blue Note | Rel:1957

Organist Jimmy Smith led a series of exciting jam sessions for Blue Note from 1957-1960, including the three selections heard on this LP. These performances were not released for the first time until 1979, but their quality is as strong as Smith's other output from the era…

Jimmy Smith - Confirmation (1958)  Music

Posted by Jeki at Sept. 8, 2008
Jimmy Smith - Confirmation (1958)

Jimmy Smith - Confirmation (1958)
MP3 320kbps | Blue Note Covers | RS.com | 103mb | 5% File Recovery
Genre: Jazz

Organist Jimmy Smith led a series of exciting jam sessions for Blue Note from 1957-1960, including the three selections heard on this LP. These performances were not released for the first time until 1979, but their quality is as strong as Smith's other output from the era. "Confirmation" matches Smith with altoist Lou Donaldson, tenor saxophonist Tina Brooks, trumpeter Lee Morgan, guitarist Kenny Burrell, and drummer Art Blakey, while a 15-minute rendition of "What Is This Thing Called Love" and a 20-minute "Cherokee" have Morgan, Burrell, Blakey, trombonist Curtis Fuller, and George Coleman on alto. The heated solos are quite enjoyable, and the organist keeps the momentum constantly flowing throughout this infectious set.
Jimmy Smith - The Complete Sermon Sessions (2009) {2CD Groove Hut Records-Blue Note rec 1957-58} [ft. Lee Morgan & Tina Brooks]

Jimmy Smith - The Complete Sermon Sessions (2009) {2CD Groove Hut Records-Blue Note rec 1957-58} [ft. Lee Morgan & Tina Brooks]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 0.98 Gb | MP3 @320 -> 344 Mb
Full Artwork @ 600 dpi (png) -> 250 Mb | 5% repair rar
© 1957-58, 2009 Blue Note / Groove Hut Records | GH 66712
Jazz / Hard Bop / Soul Jazz / Organ Hammond B-3

2009 release from the Jazz great containing Smith's complete classic Sermon sessions, in chronological order, together for the first time ever on a single set. These are his only preserved collaborations with Lee Morgan, the formidable trumpet player whose life came to a tragic end after being shot by his girlfriend at the tender age of 33. Tenor saxophonist Tina Brooks is also featured here. The outstanding reedman would pass away at the age of 42 after a life of drug addiction and self abuse. The great Jimmy Smiths was a Jazz musician whose performances on the Hammond B-3 electric organ helped to popularize this instrument.

Jimmy Smith - House Party (1957) {RVG Edition 2000}  Music

Posted by Bezz at Jan. 4, 2011
Jimmy Smith - House Party (1957) {RVG Edition 2000}

Jimmy Smith - House Party (1957) {RVG Edition 2000}
Jazz | EAC rip | APE + CUE + LOG | Full Scans | 370 Mb
Label ~ Blue Note Records

In 2000 when Blue Note upgraded 1958's House Party as part of the label's superior Rudy Van Gelder series, they augmented the title with a ten-plus minute driving blow of Charlie Parker's "Confirmation" as a well-chosen bonus track. Now the effort is bookended by some primal Bird, which was always a forte of the assembled coterie. ~ AllMusic
Jimmy Smith - Rockin' The Boat (1962) {Blue Note Japan Edition TOCJ-4141 rel 1994}

Jimmy Smith - Rockin' The Boat (1962) {Blue Note Japan Edition TOCJ-4141 rel 1994}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 227 Mb | MP3 @320 -> 90 Mb
Full Artwork @ 600 dpi (jpg) -> 158 Mb | 5% repair rar
© 1962, 1994 Blue Note / Toshiba-EMI Japan | TOCJ-4141
Jazz / Hard Bop / Jazz Blues / Soul Jazz / Organ Hammond B-3

Organist Jimmy Smith's next-to-last LP for Blue Note after a very extensive seven-year period is up to his usual level. With altoist Lou Donaldson joining Smith's regular group (which included guitarist Quentin Warren and drummer Donald Bailey), the quartet swings with soul on such fine numbers as "When My Dream Boat Comes Home," "Can Heat," "Please Send Me Someone to Love" and "Just a Closer Walk with Thee." With the exception of the closing ballad, "Trust in Me," all seven of the selections are closely related to the blues.
Kenny Burrell And Jimmy Smith - Blue Bash! (1963) {Verve Master Edition 557 453-2 re1 1999}

Kenny Burrell And Jimmy Smith - Blue Bash! (1963) {Verve Master Edition 557 453-2 re1 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 342 Mb | MP3 @320 -> 143 Mb
Full Artwork @ 300 dpi (jpg) -> 38 Mb | 5% repair rar
© 1963, 1999 PolyGram / Verve Master Edition | 557 453-2
Jazz / Hard Bop / Soul Jazz / Guitar / Organ Hammond B-3

Groove great Kenny Burrell and Jimmy Smith (Hammond organ) together on the same album. Includes a rendition of "Fever." Three days of spare studio time while Smith was at work on a big-band date led to this highly enjoyable blowing session. The principals' interplay on the title-track sums up their whole musical relationship: punchy, bluesy but soaked in the good homour of playing for kicks.
Jimmy Smith - The Complete Verve Singles (2016) [Official Digital Download 24bit/96kHz]

Jimmy Smith - The Complete Verve Singles (2016)
Jazz, Soul Jazz, Hard Bop | FLAC (tracks), 24bit/96kHz | 02:36:46 h | 3,84 Gb (incl 5%) | Front Cover
Label: Verve Reissues | Tracks: 52 | Released: 2016

Jimmy Smith wasn't the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and style made him a top instrumentalist in the 1950s and '60s, while a number of rock and R&B keyboardists would learn valuable lessons from Smith's example.
Jimmy Smith - Respect & Livin' It Up (2010) {Hip-O Select B0014358-02 rec 1967-68}

Jimmy Smith - Respect & Livin' It Up (2010) {Hip-O Select B0014358-02 rec 1967-68}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 491 Mb | MP3 @320 -> 170 Mb
Full Artwork @ 300 dpi (jpg) -> 41 Mb | 5% repair rar
© 1967-68, 2010 Hip-O Select / Verve | B0014358-02
Jazz / Hard Bop / Organ

Respect/Livin’ It Up, a two-on-one release from Verve Select, brings together two classic albums from Jimmy Smith, the world’s premier jazz-soul organist. Smith became a star with Verve Records in the mid-1960s. He leaned on superb big band arrangements by Oliver Nelson, a change from his earlier, small-group recordings on Blue Note. With Respect in 1967, Smith did something that thrilled his fans: he returned to a small group setting in Rudy Van Gelder’s now-legendary studio with his old Blue Note guitarist Thornel Schwartz, as well as Eric Gale, bassists Ron Carter and Bob Bushnell, and drummers Grady Tate and Bernard Purdie.

Joey Defrancesco With Jimmy Smith - Legacy (2005) {Concord}  Music

Posted by tiburon at April 16, 2016
Joey Defrancesco With Jimmy Smith - Legacy (2005) {Concord}

Joey Defrancesco With Jimmy Smith - Legacy (2005) {Concord}
EAC 0.95b4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 501MB + 5% Recovery
MP3 CBR 320 Kbps | 177MB + 5% Recovery
Genre: Jazz, Post-Bop

Extending the good vibes created out of their first pairing on the live recording Incredible!, organists Joey Defrancesco and Jimmy Smith get down to business on Legacy. The two stellar and funky musicians have a great musical rapport and seem to really enjoy playing together. Fans of Incredible! will most likely find much to enjoy here. The album has a heavy Latin sound with percussionists Ramon Banda and Jose "Joey" de Leon supplying additional timbales and conga rhythms respectively. Also joining in this time around is special guest tenor saxophonist James Moody, who adds his fiery bop chops to "Jones'n for Elvin." Backing Defrancesco and Smith here are bassist Tony Banda, guitarist Paul Bollenback, and drummer Steve Ferrone.

Jimmy Smith - Lonesome Road (1957) {Blue Note/Toshiba}  Music

Posted by tiburon at April 11, 2016
Jimmy Smith - Lonesome Road (1957) {Blue Note/Toshiba}

Jimmy Smith - Lonesome Road (1957) {Blue Note/Toshiba}
EAC 0.95b4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 301MB + 5% Recovery
MP3 CBR 320 Kbps | 151MB + 5% Recovery
Genre: Bop, Hard Bop

Jimmy Smith recorded for Blue Note so frequently during the late '50s that many of his sessions remained unreleased for years. The music that comprises Lonesome Road sat in the vaults for years, until the Japanese division of Blue Note released the album in the '80s. Since Smith had so many albums on the market, it's understandable that Blue Note wanted to limit the number of records they released from him, but the music on Lonesome Road is almost as fine as that on The Sermon or Groovin' at Small's Paradise.