Commemorative Collector's Edition of the classic 1971 album, featuring previously unreleased all new stereo and 5.1 surround sound edition, mixed by Steven Wilson. Blu-ray Album mixed to 5.1 surround sound with 4 additional recordings all 96/24 LPCM & DTS-HD Master Audio…
In 2011, Jethro Tull’s iconic album Aqualung was released in celebration of its 40th anniversary. If you didn’t pick it up then, you’re in luck, because if you’ve checked your calendar, you know that it’s been five years, so it’s time for us to release a 45th Anniversary Edition!
This wonderful DVD is the same 95-minute-or-so concert from Jethro Tull's lead vocalist/songwriter and the Neue Philharmonie Frankfurt that you'll find on the double-CD audio counterpart, 20 songs beginning with the five-piece band and expanding from there. The visuals are lovely – shots from above, fade ins, split screen, black-and-white footage superimposed on color – which makes the viewing quite appealing…
Jethro Tull's 11th studio album, Heavy Horses, is one of their prettier records, a veritable celebration of English folk music chock-full of gorgeous melodies, briskly played acoustic guitars and mandolins, and Ian Anderson's lilting flute backed by the group in top form. 2018's 40th Anniversary "New Shoes Edition" is a three-CD/two-DVD box packaged similarly to the anniversary versions of Aqualung, Thick as a Brick, Minstrel in the Gallery and Songs from the Wood. It includes a Steven Wilson stereo remix of the album and nine "associated studio recordings" – seven on the first disc are previously unreleased – and a 1978 concert from Berne, Switzerland spread across discs two and three, remixed by King Crimson's Jakko M. Jakszyk. The two DVDs feature 97 audio and video tracks, with studio work (including bonus tracks) remixed to 5.1 (and stereo) by Wilson, with the live material handled by Jakszyk. The latter two discs also include a flat transfer of the original album's mix, some promotional video footage, and two period television ads.
Essential: a masterpiece of progressive rock music
“Aqualung” isn’t only a great album, it’s somehow a feel of live from the early 70’s. Maybe not as ambitious and essential in progressive rock terms as “Thick As A Brick”, but in terms of folk prog an absolute masterpiece concept record, too. I always feel like I am travelling back in the 70’s when I listen to classic tracks like “Locomotive Breath”, “Cross-Eyed Mary”, “Mother Gose” or the title track.
Original album plus seven bonus tracks (six previously unreleased), two mixed to 5.1 surround, and all to stereo by Steven Wilson. The 40th Anniversary edition of Jethro Tull’s Minstrel In The Gallery. The album has been expanded to include the b-side Summerday Sands, several studio outtakes, and alternate session material recorded for a BBC broadcast. The second disc features a live recording of Jethro Tull performing at the Olympia in Paris on July 5, 1975, a few months prior to the release of Minstrel In The Gallery. During the show, the band played songs from several of its albums, including War Child and Aqualung, as well as an early performance of Minstrel In The Gallery. It was mixed to 5.1 & stereo by by King Crimson guitarist Jakko Jakszyk.
Benefit was reissued in a remastered edition with bonus tracks at the end of 2001, which greatly improved the clarity of the playing and the richness of the sound; the four additional tracks are "Singing All Day," "Witch's Promise," the elegant, gossamer-textured "Just Trying to Be," and the original U.K. mix of "Teacher." Written and recorded prior to Benefit, they're all lighter in mood than the material from the original album, adding some greater variety but fitting in perfectly on a stylistic level.
Benefit was the album on which the Jethro Tull sound solidified around folk music, abandoning blues entirely. Beginning with the opening number, "With You There to Help Me," Anderson adopts his now-familiar, slightly mournful folksinger/sage persona, with a rather sardonic outlook on life and the world; his acoustic guitar carries the melody, joined by Martin Barre's electric instrument for the crescendos. This would be the model for much of the material on Aqualung and especially Thick as a Brick, although the acoustic/electric pairing would be executed more effectively on those albums. Here the acoustic and electric instruments are merged somewhat better than they were on Stand Up (on which it sometimes seemed like Barre's solos were being played in a wholly different venue), and as needed, the electric guitars carry the melodies better than on previous albums.