Billed as a "companion" to the 2016 posthumous collection Heal My Soul, Holding On combines a full live concert from 1999 with five additional studio outtakes. According to Roger Costa, the compilation's producer, these five songs were left off of Heal My Soul "primarily because they didn't quite fit into the flow" and "they were too good not to share." They had been shared once before, on a limited-edition vinyl called Heal My Soul: Bonus Sessions, but the digital release is welcome because they're solid songs, highlighted by the charging "Love Takes Time," the hooky "Every Other Guy," and "All That I Believe," which feels a bit like a conscious re-write of Hootie & the Blowfish. All are nice additions to the Healey catalog and the concert is solid, too – perhaps a little too pristine and polished, but still worthy for Healey heads.
Here is yet another live album by the Dave Matthews Band. This one is from his Central Park Concert in 2003. This one is three CDs, loaded with hits and near-misses, from one of the most successful stage bands in the business. The Matthews Band is tight, full of enough funk and sass to keep it interesting, and yet is able to convey real emotion to tens of thousands of people, as evidenced by their many live recordings. What sets this one apart is its presentation of one concert in its entirety, and its willingness to leave rough edges in. While the sound is pristine, and the performance reflects the band's well-rehearsed acumen, there are those spontaneous moments on this set that get left off of most band's live recordings – including Matthews' previous ones.
The Pilates Fix brings you a modern mix of classical Pilates and effective cardio movements to create an overall dynamic workout. Included are two 10 minute routines; stretching to increase flexibility and cardio to blast away extra pounds.
If there’s one thing you learn from listening to a lot of prog/rock/fusion music, it’s that lightning-fast guitar players are a dime a dozen. Listeners are generally impressed the first couple of times they hear a nimble fingered axeman set their fretboard on fire, but after you realize that there’s a ton of similar guitarists out there cutting CDs you begin to get a bit jaded. This causes the listener to begin looking for traits other than speed to set guitar players apart. The reason I’m bring this up is because when I first fired up Jeff Kollman’s latest CD Shedding Skin I thought to myself “Great, another amphetamine-fingered guitarist with an entire hour to kill noodling pointlessly with his instrument.” However, after listening to the first few tracks I realized that Jeff Kollman is a shredder with “the difference” – that difference being that he can actually write a catchy tune and gets enough variance in his guitar sound to keep things interesting through most of Shedding Skin.