The artistic impact of Jean-Luc Godard, whose career in cinema has spanned over fifty years and yielded a hundred or more discrete works in different media cannot be overestimated, not only on French and other world cinemas, but on fields as diverse as television, video art, gallery installation, philosophy, music, literature, and dance
Angela,a striptease artist, wants to have a baby and tries to persuade her boyfriend Emile to go along with the idea. Emile will have none of it so she goes after Emile's friend Alfred.
Two crooks with a fondness for old Hollywood B-movies convince a languages student to help them commit a robbery.
On a movie set, in a factory, and at a hotel, Godard explores the nature of work, love and film making. While Solidarity takes on the Polish government, a Polish film director, Jerzy, is stuck in France making a film for TV. He's over budget and uninspired; the film, called "Passion," seems static and bloodless. Hanna owns the hotel where the film crew stays. She lives with Michel, who runs a factory where he's fired Isabelle, a floor worker. Hanna and Isabelle are drawn to Jerzy, hotel maids quit to be movie extras, people ask Jerzy where the story is in his film, women disrobe, extras grope each other off camera, and Jerzy wonders why there must always be a story.
Carmen is a member of a terrorist gang who falls in love with a young police officer guarding a bank that she and her cohorts try to rob. She leads him on while dragging the two of them closer to their ultimate doom. Jean-Luc Godard intercuts the film with shots of a string quartet practicing Beethoven, and his main protagonist, Carmen, is played by Maruschka Detmers creating a stunning effect in many scenes of extended nudity.