A no-nonsense approach consisting of two hours of recorded ear training exercises with aural instructions before each. Beginning to advanced. Starts very simply, with intervals gradually increases in difficulty until you are hearing chord changes and progressions. All answers are listed in book. Book contains transposed parts for C, Bb and Eb instruments to allow playing along.
Dark and moody work from Keith Jarrett – a record that builds strongly off his ensemble feeling of the Impulse years, but which also seems to carry a bit more of the introspective vibe he was building up in some of his more stripped down solo recordings! The group's still a great one here – with Dewey Redman on reeds, Charlie Haden on bass, Paul Motian on drums, and Guilhermo Franco on percussion – and the tunes, although long and somewhat free, still show Jarrett's great ear for a lyrical melody – carried off wonderfully without cliche, and still with more sharp edges than you might expect. Titles include "Rotation", "Everything That Lives Laments", "Flame", and "Mysteries".
Features 24 bit digital remastering. Comes with a description. The Jazz Makers: Art Ellefson (tenor saxophone), Ronnie Ross (alto and baritone saxophones), Stan Jones (piano), Stan Wasser (bass), Allan Ganley (drums) recorded in New York, September 23, 1959. What ever happened to The Jazz Makers? In 1959, the British jazz quintet The Jazz Makers came second in the British Melody Maker journal reader’s poll small jazz combo section, beating even the Tubby Hayes and Ronnie Scott’s Jazz Couriers. They first established a US presence in 1958, appearing at the Newport Jazz Festival, and subsequently touring on the same bill as Thelonious Monk, where they caught the ear of Atlantic boss Nesuhi Ertegan. He brought them into a New York studio to record this album, The Swinging Sounds of The Jazz Makers, Atlantic 1333. Ronnie Ross went on to receive a Downbeat magazine New Star award.
Before it was more common for jazz players like Wynton Marsalis to play both jazz and the "straight" music from stage, screen, and concert hall, trumpeter Joe Wilder broke the mold as a regular in Broadway pit bands and as a staff musician at ABC-TV from 1957-1973. After fleshing out his formal studies via stints with Lionel Hampton, Jimmie Lunceford, Lucky Millander, and Count Basie, Wilder augmented his "day job" at ABC with several dates as a leader. This 1956 Savoy session finds him in the sympathetic company of pianist Hank Jones, bassist Wendell Marshall, and drummer Kenny Clarke.
Here is another LP helping from the Keith Jarrett "American" Quartet's last recording session – one that is almost as consistent in quality as its predecessor. The happy-go-lucky groove of the title track perfectly expresses its name, with Jarrett blithely singing along; both Dewey Redman and Charlie Haden get plenty of solo space on Redman's "Gotta Get Some Sleep" and Haden's "Pocket Full of Cherry" (a pun referring to Haden cohort Don Cherry); and Paul Motian remains a marvelously flexible drummer. Moreover, there is another fascinating swatch of Middle Eastern experimentation on "Pyramids Moving."