Reissue with the latest 2014 DSD remastering. Comes with new liner notes. Well, it's not the Plugged Nickel or electric Japan in the 70s – but this is a surprisingly great 2LP set of live work by Miles from the early 80s – recorded in New York and Boston, with a lively full-on concert sort of feel! The group features Marcus Miller on bass, Bill Evans on soprano sax, Al Foster on drums, Mike Stern on guitar, and Mino Cinelu on percussion – and the tracks are long tunes, done with a bit of electricity, and sort of a joyous approach overall. Titles include "Kix", "My Man's Gone Now", "Jean Pierre", "Fast Track", and "Back Seat Betty".
Part of the fun of listening to Universal Music's Jazz in Paris series is digging into their compilations of obscure recordings, such as these two mid-'50s sessions, led by Buddy Banks and Bobby Jaspar. Banks, originally a saxophonist who switched to bass, had arrived in Europe after World War II; he is accompanied by drummer Roy Haynes, pianist Bob Dorough, and guitarist Jimmy Gourley. The leader takes the spotlight in a subtle take of "Yesterdays," though a strange clicking mars an otherwise swinging "I Love You." Banks' group also offers serviceable interpretations of modern pieces like Gerry Mulligan's "Line for Lyons" and Milt Jackson's "Bag's Groove"…
Reissue features the latest DSD / HR Cutting remastering and the high-fidelity SHM-CD format (compatible with standard CD player). Comes with a description. Features the original LP designs. In a perfect world, Curtis Peagler's Modern Jazz Disciples would have had a longer run and built a much larger catalog. But regrettably, the Cincinnati quintet is only a small footnote in the history of hard bop and gave listeners only two albums. The first was this self-titled LP, which was recorded for Prestige's New Jazz subsidiary in 1959. The Modern Jazz Disciples shows the late Peagler, who turned 29 that year, to be a hard-swinging alto saxman in the Charlie Parker/Sonny Stitt/Cannonball Adderley/Phil Woods vein – his hot-blooded solos on tracks like "A Little Taste," "Slippin' and Slidin'," and the standard "After You've Gone" make this record well worth the price of admission.
Reissue with SHM-CD format and the latest 24bit remastering. Comes with a mini-description. An overlooked chapter in American bossa jazz of the 60s – recordings that weren't nearly as well-circulated as the Stan Getz bossa nova albums on Verve, but which have an equally special sort of sparkle! The arrangements here are by Manny Albam and Al Cohn – who both bring an earlier sense of large jazz charts into play with the tighter rhythms of the bossa – at a level that makes things explode nicely with a sense of color, while still keeping the groove light overall!