Unique 3CD box set with 42 titles from the rich and highly demanded Jazz-Electro-Lounge vaults of MusicBrokers Based on extraordinary female vocals, jazz music is showcased from its erotic side, in up-to-date sound. Definitely the most Sexiest Ladies of Jazz.
The second of two CDs in this series mostly consists of previously unissued material taken from a high school concert featuring the Gerry Mulligan Quartet (which at the time featured trumpeter Jon Eardley) plus two guests (valve trombonist Bob Brookmeyer and tenor-saxophonist Zoot Sims). This swinging and often-witty cool bop music is quite enjoyable and highly recommended.
This CD documents a concert by Gerry Mulligan's Quartet when the baritonist's group featured trumpeter Jon Eardley, bassist Red Mitchell and drummer Chico Hamilton. Half of these ten selections were either previously unissued or only available as part of obscure samplers. The music, comprised of standards, some blues and a few Mulligan originals, is quite enjoyable, swinging lightly and with plenty of interplay between the horns.
A leader of the Tropicalia movement in Brazil in 1967 and 1968, along with artists like Caetano Veloso and Gal Costa, Gilberto Gil and other musicians mixed native styles with rock and folk instruments. Because Gil fused samba, salsa, and bossa nova with rock and folk music, he's recognized today as one of the pioneers in world music. A multi-instrumentalist and singer/songwriter, Gil joined his first group, the Desafinados, in the mid-'50s and by the beginning of the '60s was earning a living as a jingle composer. Although known mostly as a guitarist, he also holds his own with drums, trumpet, and accordion.
When Detroiter David Usher and Dizzy Gillespie founded the Dee Gee record label, they might have had an inkling that their project could, and would, fail financially due to poor distribution, the conversion from 78s to LPs, and the heavy hammer of the taxman. They might have felt, but could not have imagined, that they would create some of the most essential and pivotal jazz recordings for all time, not to mention some of the last great sides of the pioneering bebop era. Gillespie's large ensembles brought to public attention the fledgling young alto and tenor saxophonist John Coltrane, such Detroiters as guitarist Kenny Burrell or pianist/vibraphonist Milt Jackson, and vocalists Joe Carroll, Freddy Strong and Melvin Moore. Considering the years – 1951 and 1952 – this was revolutionary breakthrough music from a technical and entertainment aspect, delightful music that has stood the test of time and displays the trumpeter in his prime as a bandleader.
These 1964 sessions marked jazz violinist Jean-Luc Ponty's recording debut as a leader. In spite of his choice of instrument, he was mainly influenced by bop musicians (especially saxophonists and trumpeters) rather than fellow Frenchmen, swing violinist Stéphane Grappelli. At this stage in his career, he chose mostly compositions by European musicians of his generation, along with tunes American jazz compositions that had stood the test of time.