The Best of Jane Birkin is a comprehensive overview of her sporadic, inconsistent recording career, drawing highlights from her studio albums and adding several live tracks for good measure…
1999's A La Legere was Jane Birkin's first album to be recorded with no input whatsoever from Serge Gainsbourg, but his absence – perhaps surprisingly – did not show. Indeed, it emerged as one of her most beautiful recordings yet, a transitional set, yes, but also a confident one. Philippe Lerichomme's arrangements are spellbinding throughout, while songs the quality of "Les Avalanches," "Trouble," and "C'est Comme Ca" would have dignified any of her earlier, more feted albums.
Brit-born actress and recording artist – and longtime French resident – Jane Birkin may have gained fame and fortune as being the protégé – and the greatest love – of composer, director, and national French hero the late Serge Gainsbourg, but her long reign as cultural heroine and quirky pop vocalist has been the result of her own toil and sweat. One would never consider that the lanky, ever-thin Birkin, she of the slightly flat, shaky voice, could have this sort of longevity, but the Europeans are far different from Americans and far more embracing than Yanks.
Lolita Go Home is an album by Jane Birkin, released in 1975. About half of the songs were written by Serge Gainsbourg (music) and Philippe Labro (words). The other half are old musical tunes.
'Ex-fan des sixties' is an album by Jane Birkin. The album was released in 1978. All songs on the album are by Serge Gainsbourg.
On her debut solo album, English-born actress cum chanteuse Jane Birkin asserted her role as a scandalous androgyne courtesy of the songs of Serge Gainsbourg and arranger Jean-Claude Vannier (who co-wrote some numbers with Gainsbourg). Birkin allowed her image to be molded by the willfully scandalous Gainsbourg, who understood her persona entirely and helped to create an image of her as woman in a young boy's body -- one that Birkin claims she held all along but only Gainsbourg understood. That woman played roles both innocent and decadent; she was celebrated in film, but in the U.S., her thin voice resembled a choirboy's and underscored her physical presence.
This collection of vintage 1960s orchestral pop from the master of surreal Gallic eroticism includes kitsch masterpieces like "69 Annee Erotique" and Jane Birkin and Serge Gainsbourg's chart-topping "Je T'Aime (Moi Non Plus)," in a procession of jazzy instrumentals accompanied by Gainsbourg's throaty, Gitanes-coated vocals and the pertly sexy interpolations of his stunning wife.