This fascinating release comprises live recordings made at the end of 1956, when Miles accepted an offer to tour Europe with a formation called the Birdland All Stars, which also included Lester Young and the Modern Jazz Quartet, along with European musicians such as pianist René Urtréger, bassist Pierre Michelot and drummer Christian Garros. We have here the one and only existing evidence of Miles playing with Lester Young and with the MJQ. It also presents a rare occasion to find Miles playing as the sole horn in a quartet format.
Uptown's 2013 release Boston 1950 features highlights from a series of concerts the great tenor saxophonist Lester Young gave at Boston's Hi-Hat between May 26 and June 11, 1950. He was performing with trumpeter Jesse Drakes, pianist Kenny Drew, bassist Joe Schulman, and drummer Connie Kay. Lester was at one of his peaks during the late '40s and early '50s and these performances have an appealing blend of lively jump and warmth, qualities that are apparent even underneath the somewhat thin audio quality. Listen beyond those compressed sonics and you'll find thoroughly enjoyable, big-hearted hard bop that's something of a joy to hear…
This LP from the collectors' label Jazz Archives includes the soundtrack of the award-winning short film Jammin' the Blues, which in 1944 gave Lester Young, Harry "Sweets" Edison and Illinois Jacquet an opportunity to be seen as well as heard. Not only are the three songs from the film on this set, but also three other previously unheard performances from the same date that did not make it onto the screen. ~ AllMusic
Defying what has become conventional wisdom, tenor saxophonist Lester Young cut some of his greatest recordings in the 1950s – that is, when he was reasonably healthy. On this wonderful effort with pianist Oscar Peterson, guitarist Barney Kessel, bassist Ray Brown, and drummer J.C. Heard, Prez performs definitive versions of "Just You, Just Me" and "Tea for Two," and plays a string of concise but memorable ballad renditions: "On the Sunny Side of the Street," "Almost Like Being in Love," "I Can't Give You Anything But Love," "There Will Never Be Another You," and "I'm Confessin'." This is essential music from a jazz legend. Some reissues augment the original dozen songs with a version of the good-humored "It Takes Two to Tango," which features Young's only recorded vocals, plus a rather unnecessary false start (on "I Can't Get Started," ironically), along with some studio chatter.