James Moody

James Moody - s/t (a/k/a Off The Record) (1959) {2004 Verve Music Group} **[RE-UP]**

James Moody - s/t (1959) {2004 Verve Music Group}
EAC Rip | FLAC with CUE and log | scans | 259 mb
MP3 CBR 320kbps | RAR | 92 mb
Genre: jazz

James Moody is the 1959 self-titled album by James Moody. While technically without a title, the album is sometimes called Off The Record due to how it is listed on the back cover. Originally released by Argo and later reissued on Cadet, this CD was released by Verve Music Group on 22 June, 2004.
James Moody - The Blues And Other Colors (1969) {Milestone OJCCD-954-2 rel 1997}

James Moody - The Blues And Other Colors (1969) {Milestone OJCCD-954-2 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 201 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 300 dpi (png) -> 18 Mb | 5% repair rar
© 1969, 1997 Milestone / Fantasy / OJC | OJCCD-954-2
Jazz / Hard Bop / Saxophone / Flute

This CD reissues a rather unusual James Moody date. Best known for his tenor and alto playing (although he is also recognized as a talented flutist), Moody is here heard exclusively on soprano and flute. Trombonist Tom McIntosh contributed a tune and arranged all eight pieces (which also include four Moody originals). Five of the numbers feature Moody in a nonet, including an emotional "Old Folks" and an advanced reworking of Duke Ellington's "Main Step."

James Moody - Feelin' It Together (1973)  Music

Posted by TmanHome at March 27, 2014
James Moody - Feelin' It Together (1973)

James Moody - Feelin' It Together (1973)
Jazz, Hard Bop | MP3 320 kbps CBR | 43 min | 103 MB + 3% Recovery
Label: Savoy | Rel: 1973

James Moody has an opportunity to show off his versatility on Feelin' It Together. He switches between tenor, alto and flute (excelling on all three instruments) with a quartet comprised of pianist Kenny Barron (who also plays some surprisingly distinctive electric piano and a bit of electric harpsichord), bassist Larry Ridley and drummer Freddie Waits. The music ranges from modern bebop ("Anthropology" and "Autumn Leaves") to spacey ballads and the eccentric "Kriss Kross." Stimulating music.
James Moody - The Blues And Other Colors (1969) [Reissue 1997]

James Moody - The Blues And Other Colors (1969) [Reissue 1997]
EAC Rip | FLAC Tracks + Cue + Log | Complete scans included | 204 MB
MP3 CBR @320 kbps (LAME 3.99) | Joint Stereo | 82 MB
Original Jazz Clasics / Milestone | #: OJCCD-954-2 | Jazz

This CD reissues a rather unusual James Moody date. Best known for his tenor and alto playing (although he is also recognized as a talented flutist), Moody is here heard exclusively on soprano and flute. Trombonist Tom McIntosh contributed a tune and arranged all eight pieces (which also include four Moody originals). Five of the numbers feature Moody in a nonet, including an emotional "Old Folks" and an advanced reworking of Duke Ellington's "Main Step.
Art Blakey & James Moody - New Sounds (1948) [Remastered 1991]

Art Blakey & James Moody - New Sounds (1948) [Remastered 1991]
EAC rip | FLAC+CUE+LOG | Scans | 186 Mb(Incl. Recovery)
Genre ~ Bop, Hard Bop, Saxophone Jazz | Label ~ Blue Note Records
Dizzy Gillespie & James Moody with Gil Fuller & The Monterey Jazz Festival Orchestra (2008)

Dizzy Gillespie & James Moody with Gil Fuller & The Monterey Jazz Festival Orchestra (2008)
Jazz (Big Band) | EAC Rip | FLAC (tracks)+CUE+LOG | mp3@320 | 538 MB. & 199 MB.
300dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (2008) | Label: Blue Note (Connoisseur) | Catalog# 50999-5-17466-2-9 | 75:01 min.

Recorded in 1965, this often out-of-print live set features bebop innovator and trumpeter Dizzy Gillespie, his frequent 1960's sideman James Moody (one of the greatest mainstream tenor saxophonists ever), and arranger Gil Fuller successfully collaborating in a big band context. The program is standards, pop hits of the day ("Sweets For My Sweet"), bop chestnuts ("Tin Tin Deo"), and some Latin-flavored big band swing (composed by Fuller). This edition has been expanded to 20 tracks.

James Moody - Homage (2004)  Music

Posted by vasiliska23 at Aug. 28, 2010
James Moody - Homage (2004)

James Moody - Homage (2004)
Unknown Rip | flac (tracks) +scans, no log, no cue | 66 min 28 sec | 442.7 mb
Label: Savoy Jazz | Genre: Jazz | January 27, 2004

Here’s a lesson for all the young saxophone players out there who are so keen to focus on the past. Septuagenarian saxophonist James Moody, who was a fixture in Dizzy Gillespie’s band for many years, may have some reverence for his past, but his approach is resolutely about moving forward. His first record in six years, Homage , is a testament to that ethic, with a sound that is absolutely contemporary and all about keeping things vital.

James White's Character Illustrations: Start to Finish  eBooks & eLearning

Posted by Landau17 at Oct. 14, 2017
James White's Character Illustrations: Start to Finish

James White's Character Illustrations: Start to Finish
MP4 | Video: 720p | Duration: 31:28 | English | Subtitles: VTT | 593.2 MB

101 Interview Questions by James Austin  eBooks & eLearning

Posted by moneyguzzler at Oct. 13, 2017
101 Interview Questions by James Austin

101 Interview Questions by James Austin
English | 2017 | ASIN: B075M9141M | 34 Pages | ePUB | 100 KB

James Hillman - La vana fuga dagli Dei  eBooks & eLearning

Posted by Karabas91 at Oct. 13, 2017
James Hillman - La vana fuga dagli Dei

James Hillman - La vana fuga dagli Dei
Italian | 1991 | 180 pages | ASIN: B00UVO2K4E | EPUB | 0,1 MB

«Gli Dei sono diventati malattie» scrisse una volta C.G. Jung. Elaborando questa frase, Hillman si pone la questione più immediata per ogni psicologia: che cos’è la normalità psichica? A partire da quale soglia entriamo nel regno incontrollabile dell’anormalità? Nei due saggi qui per la prima volta raccolti in volume troveremo al centro, da una parte, la figura di Atena, giudice supremo della norma ateniese, modello di ogni concezione della normalità; dall’altra, la figura del paranoico, esemplificata soprattutto nella storia di Perceval e in quella del presidente Schreber, quale teologo del delirio. E, in tutti e due i casi, con un’analisi stringente e acutissima, Hillman ci mostrerà come la partita si giochi fra potenze che un tempo furono chiamate divine, prima di perdere ogni nome, e una struttura mentale, la nostra, che con esse è costretta ad avere a che fare, in ogni atto della vita, anche quando persegue, come l’intera civiltà occidentale, una «vana fuga dagli Dei».