This CD reissues a rather unusual James Moody date. Best known for his tenor and alto playing (although he is also recognized as a talented flutist), Moody is here heard exclusively on soprano and flute. Trombonist Tom McIntosh contributed a tune and arranged all eight pieces (which also include four Moody originals). Five of the numbers feature Moody in a nonet, including an emotional "Old Folks" and an advanced reworking of Duke Ellington's "Main Step.
Recorded in 1965, this often out-of-print live set features bebop innovator and trumpeter Dizzy Gillespie, his frequent 1960's sideman James Moody (one of the greatest mainstream tenor saxophonists ever), and arranger Gil Fuller successfully collaborating in a big band context. The program is standards, pop hits of the day ("Sweets For My Sweet"), bop chestnuts ("Tin Tin Deo"), and some Latin-flavored big band swing (composed by Fuller). This edition has been expanded to 20 tracks.
Here’s a lesson for all the young saxophone players out there who are so keen to focus on the past. Septuagenarian saxophonist James Moody, who was a fixture in Dizzy Gillespie’s band for many years, may have some reverence for his past, but his approach is resolutely about moving forward. His first record in six years, Homage , is a testament to that ethic, with a sound that is absolutely contemporary and all about keeping things vital.
Barclay James Harvest was, for many years, one of the most hard luck outfits in progressive rock. A quartet of solid rock musicians John Lees, guitar, vocals; Les Holroyd, bass, vocals; Stuart "Wooly" Wolstenholme, keyboards, vocals; and Mel Pritchard, drums with a knack for writing hook-laden songs built on pretty melodies, they harmonized like the Beatles and wrote extended songs with more of a beat than the Moody Blues.
The pre-psychedelic Moody Blues were represented in England by this album, which is steeped in American soul. The covers include songs by James Brown, Willie Dixon, and Chris Kenner, plus the chart-busting "Go Now" (originally recorded by Bessie Banks), interspersed with a brace of originals by lead singer/guitarist Denny Laine and keyboardist Mike Pinder, and one Jeff Barry/Ellie Greenwich number, "I've Got a Dream." The shouters, like "I'll Go Crazy" and "Bye Bye Bird," will be the big surprises, showcasing the rawest sound by the group, but "I've Got a Dream" shows a lyrical, harmony-based sound that is vaguely reminiscent of the Four Tops (which is ironic, as that group later cut a single of the latter-day Moody Blues original "So Deep Within You"), while "Thank You Baby," a Laine/Pinder original, offers them doing a smooth, dance-oriented number with some catchy hooks…
This is series of seriously intoxicating Latin and American Bossa-Samba-Jazz sounds! It all began in the '50s when composer Antonio Carlos Jobim, inspired by West Coast Jazz, helped to form a new music that blended together gentle Brazilian Samba rhythms and melodies with cool-toned improvising. These compilations contain the results of Jobim's influential musical experiment, as they feature a myriad of artists serving up a cocktail blend of rare original Brazilian and American Bossa Nova and Jazz from the 60's. Each volume comes complete with a different sexy vixen on each of the covers…and we do mean SEXY! Includes 80 tracks featuring classic performances by Les McCann, Mongo Santamaria, Cal Tjader, The Champs, Lalo Schifrin, Nina Simone, Stan Getz, Art Blakey, Mel Torme, Peggy Lee, Dizzy Gillespie, Herbie Man, Kenny Burrell, Mose Allison, Candido, Xavier Cugat & His Orhcestra, Sergio Mendes & Brasil 66 and many more.