A world that’s more riot than profession, the trading floors of Chicago are a place where gambling your family’s mortgage is all in a day’s work. Now, when markets are unhinged, FLOORED offers a unique window to this lesser-known world of finance. Traders may not have degrees, but they’ve got guts, and penchant for excess. But like many aspects of our economy, technology is changing their business, and these eccentric pit denizens aren’t the type to take kindly to new tricks.
FOX BOX is an eight disc set of The Allman Brothers performing three-nights September 24th, 25th and 26th, 2004 at the Fox Theatre. The complete package contains 54 performances of 52 songs from the historic Fox Theatre in Atlanta, GA. It has never before been available digitally. Jack Pearson guests as the guitar solo on "Dreams" on the 9/24/04 recording; Derek Trucks takes the solo on "Dreams" on 9/25/04 and Warren Haynes takes the solo on "Dreams" on 9/26/04.
Where a slow-burning, word of mouth campaign was hugely beneficial to Jon Allen – his debut album, 2009’s Dead Man’s Suit, was given a sizeable leg-up by one track’s use in a Land Rover campaign, while champions included Jo Whiley, Jools Holland and Emmylou Harris – second album Sweet Defeat not only has the task of matching this, but is also burdened with the albatross of assumed instant impact. But it seems as though that’s the last thing Allen is worried about. While his passport may substantiate the on-paper Britishness of this Hampshire-born artist, his yarns and philosophies paint a picture of a grizzled American folk musician, decades of abandon behind him. Sweet Defeat, in this vein, employs good honest rock'n'roll ideals, actioned via a collection of simple, folksy melodies.
Infusing traditional gospel music with Memphis soul, Detroit-based singer Rance Allen helped pave the way for the secularized gospel sound of the '80s and '90s. After signing with Stax in 1969, Allen and his group proceeded to bring their hip brand of gospel to the masses by scoring several chart hits and opening concerts for the likes of Isaac Hayes. This hits package covers the group's successful run in the '70s, spotlighting Allen's incredibly flexible and powerful voice (one listens to cuts like "Ain't No Need of Crying" and "Gonna Make It Alright" and it's easy to figure out where Prince picked up his misty falsetto from). The selections include Allen's biggest Stax hit, "I Got to Be Myself," the spiritually reconfigured cover "Just My Imagination (Just My Salvation)," and modern gospel pioneer James Cleveland's "That Will Be Enough for Me."