One of the most important missions of the work of the 441 Hz Chamber Choir is performing and promoting contemporary choral music. On a daily basis, the ensemble, under the direction of Anna Wilczewska, carries out a busy concert schedule, performing mainly contemporary music repertoire. This album is a presentation of contemporary choral music originating from countries of the North, mainly from Scandinavia. The album is filled with the diversity of creative inspiration, free references to the folklore, customs and savage northern nature, and originality of the compositional techniques. All this contributes to a broad musical panorama constructed from the works of eleven composers, which, despite this fact, constitutes a coherent, homogeneous whole, which is brilliantly performed by the ensemble.
Charlie Poole wasn't a particularly brilliant banjo player (although his later three-finger-style picking would set the table for the advent of bluegrass banjo a couple of decades after his death), and he wasn't the world's greatest vocalist either, but he had a certain devil-may-care charisma that made him a superstar in the string band era of the 1920s. Poole's greatest talent – aside from an ability to go on long drinking sprees and to manage to be at the center of things even in his absence – was in his song adaptations, which drew from sources outside the standard Appalachian fiddle tunes and reels, including pop, ragtime, and blues. This extensive 96-track, four-disc box set from Britain's JSP Records collects the lion's share of his recordings on Columbia, Poole's label from 1925 until his death in 1931 at the age of 39. Also included are a handful of cuts Poole made under the table for Paramount (where his North Carolina Ramblers were called the Highlanders) and Brunswick (which saw the band disguised as the Allegheny Highlanders).