This exceptional live document finds legendary free jazz saxophonist Pharoah Sanders collaborating with cornetist Rob Mazurek and members of the Sao Paulo Underground and Chicago Underground Duo. Mazurek takes a leading role for the most part, joined by Sanders in his regular volcanic, spiritual state of playing and supported dutifully by percussionist Maurício Takara, drummer Chad Taylor, bassist Matt Lux, and multi-instrumentalist Guilherme Granado. The disc tends toward the more experimental and tumultuous side of things, with processed synth sounds clashing with the explosive organic instrumentation in a way that brings to mind Sun Ra's rudimentary synth experimentation on his early-'70s Saturn Records output.
This collection of Artie Shaw big band recordings comes from his brief association with the Musicraft label. Having assembled and broken up several earlier units, this edition, heard in recordings made between 1945 and 1946, is more of an arranger's band than one that features many soloists, other than the leader. During this period of Shaw's career, he was constantly changing the instrumentation of his band and making personnel substitutions. Fellow Musicraft artist Mel Tormé and his group the Mel-Tones are added on some tracks, though this was a studio relationship exclusively and they were not a part of Shaw's organization. The innovative blend of strings, voices and brass in the swinging arrangement of "What Is This Thing Called Love" is the highlight of the vocal selections, along with an updated instrumental version of the clarinetist's earlier hit, "Begin the Beguine." The only reservation about this compilation is that several tracks are abruptly faded or even truncated.