Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world-weariness of country. Cash's career coincided with the birth of rock & roll, and his rebellious attitude and simple.
Lemon Popsicle is an Israeli film directed by Boaz Davidson and was released in 1978. It was an immediate hit in Israel and has since acquired cult status and spawned eight sequels. The soundtrack contains a nice balance of sentimental songs such as Brian Hyland's 'Sealed With A Kiss' and out-and-out rockers like Little Richard's 'Tutti Frutti', giving us an intriguing glimpse into the way rock'n'roll was appreciated in other parts of the world at that time.
Buddha's Sho Nuff Groove: The Best of Harvey Mason is an excellent 12-track compilation, featuring all of the fusion musician's biggest crossover smooth jazz and lite funk hits, including "Marching on the Street," "Set It Free," "Till You Take My Love," "What's Going On," "Liquid," "Don't Doubt My Lovin'," "How Does It Feel," and the 12-inch mix of "Groovin' You." This doesn't give a full picture of his talents as a sideman and producer, but it is a concise chronicle of his solo recordings and a welcome addition to his catalog.
Andy McCluskey and Paul Humphreys make up Orchestral Manoeuvres in the Dark, who were responsible for some of the catchiest and brightest synth pop that the '80s had to offer. O.M.D.'s material was a step above other keyboard pop music of the time, thanks to the combination of intelligently crafted hooks and colorful rhythms that bounced and jittered with pristine charm. Their squeaky-clean brilliancy initiated by both their synthesizers and subdued yet attractive vocal styles gave them a more mature sound over bands like Duran Duran and A Flock of Seagulls, who were attracting a younger audience. The Best of O.M.D. is an excellent compilation of their polished music, starting out with less provocative material like the basic electronic wash of "Electricity" and the bare but ebullient fervor of "Enola Gay." As this set moves along, so does the craftiness of their work, which is evident on tighter sounding songs like "Tesla Girls" and "Locomotion," where the intricacy of their formula begins to take a more resounding shape. O.M.D.'s best work came from 1985's Crush album, which harbored the midnight airiness found in "So in Love" as well as the adolescent innocence that streamed its way through "Secret," which are two of the best tracks on this set.