This Latin jazz performance by saxophone- and clarinet-player Paquito D'Rivera and pianist Chano Dominguez, along with their ensemble, was recorded at Madrid's Teatro Real in 2006.
Jerry Miller opens up his 2013 album with "Travis Express," a signal that the guitarist owes a significant debt to the great Merle Travis. Then again, most purely instrumental country guitarists do owe Travis a great deal, and Miller doesn't shy away from his love of classic '50s and '60s pickers, using New Road Under My Wheels as a celebration of that whole era, leaning heavily on honky tonk and Western swing to deliver a jumping good time. Perhaps Miller is superficially similar to Junior Brown, another virtuoso country guitarist who also adores roadhouse country, but Brown is a nitro-charged engine throttling down the highway.
Jerry Goldsmith's most provocative feature film score, Basic Instinct brilliantly evokes the sex and suspense that together galvanize the onscreen narrative. Ominous piano, stiletto-sharp bursts of strings, and bubbling electronics combine to capture lust in all its myriad forms, from carnal desire to murderous rage, as well as delineate the subtle differences between each iteration. Goldsmith scores the film's notoriously graphic sex scenes with particular aplomb, achieving what can only be described as an orchestral orgasm as the music builds to its climax. For all its sophistication and invention, Basic Instinct is above all the work of a dirty old man, and it's fascinating.