Raven's 2002 two-fer CD reissue of Jerry Lee Lewis' 1968 album Another Place Another Time and 1970's She Even Woke Me Up to Say Goodbye contains the added bonus of six tracks – over half the album – from 1969's She Still Comes Around (To Love What's Left of Me). By doing this, the disc transcends typical two-fer status (which, frankly, would have been enough, since these two albums are so tremendous, their first CD release is something to celebrate) and becomes the best single-disc collection of Jerry Lee's country material. There have been other discs that tackle the same recordings for Smash (all unfortunately out of print as of this writing), but their scope was a little broader, including many of his '70s hits for Mercury as well as Smash sides unheard here.
This Latin jazz performance by saxophone- and clarinet-player Paquito D'Rivera and pianist Chano Dominguez, along with their ensemble, was recorded at Madrid's Teatro Real in 2006.
Jerry Gonzalez has referred to himself as being "bilingual" in that he is equally skilled on trumpet and congas, in bebop and in Latin music. Gonzalez succeeds in his goal of combining the two idioms without watering down either style on this essential Sunnyside CD. The first Afro-Cuban Thelonious Monk tribute has plenty of spots for the percussion of Steve Berrios and Gonzalez, but also contains many strong solos from the leader's often-muted Miles-influenced trumpet, Carter Jefferson's tenor, and Larry Willis' very un-Monk-like piano. With the exception of "Ugly Beauty," the Latin percussion is an integral part of each performance, giving this set of Monk tunes a very different perspective that is also quite flexible. A highly enjoyable set with the highlights including "Bye-Ya," "Nutty," "Little Rootie Tootie," and "Jackie-ing."