An excellent companion to Classics' 1949-1950 Bud Powell title, this roundup of the bop pianist's early post-war sides gets top overview honors for its better balanced share of combo and trio sides. The first half is mostly taken up by an incredible 1946 session featuring Fats Navarro, Sonny Stitt, Kenny Dorham, and Kenny Clarke, with highlights including the Navarro originals "Webb City," "Fat Boy," and "Everything's Cool." For Powell fanatics, though, the eight trio sides will be the real attraction. Backed by first-tier boppers Max Roach and Curly Russell, Powell is at his fleet and innovative best on a mix of his own work ("Bud's Bubble"), some Monk ("Off Minor"), and a handful of choice covers ("I'll Remember April," "I Should Care"). A taste of possibly the most irrepressible and sophisticated bop on wax.
This CD reissue is one of the most rewarding Bud Powell recordings to come from his period in France. Powell (along with bassist Pierre Michelot and drummer Kenny Clarke) explores four of Thelonious Monk's tunes, Earl Bostic's "No Name Blues" and the standard "There Will Never Be Another You" but it is the final two numbers ("I Ain't Foolin'" and "Squatty") which really find the bop master at his most spirited and swinging. This very rewarding CD releases for the first time the alternate take (a faster rendition without a clear melody) of "Squatty," a song that (based on its original version) deserves to be revived. One oddity: the applause heard throughout this release was added on later because this was actually a studio album.
This recording lives up to its title. In his prime, Phineas Newborn had phenomenal technique (on the level of an Oscar Peterson), a creative imagination, and plenty of energy. These trio sessions (with Leroy Vinnegar or Sam Jones on bass and either Milt Turner or Louis Hayes on drums) feature Newborn displaying plenty of heat and fresh ideas on compositions by Bud Powell, Bobby Timmons, Benny Golson, Duke Ellington, Thelonious Monk, Sonny Rollins, and Miles Davis (along with two of his own). This is piano jazz at its highest level.
Previously unissued until 1996, this trio session by pianist Bud Powell with bassist George Duvivier and drummer Art Taylor is better than his Verve recordings of the period if not quite up to the level of his earlier classic Blue Note dates. Actually it is a mystery how such excellent music could be unknown and go unreleased for so long. Powell performs 13 Charlie Parker compositions (including two versions of "Big Foot") and Dizzy Gillespie's "Salt Peanuts." Although there are some minor missteps, the music is quite enjoyable and generally hard-swinging with the more memorable performances including "Straw 'Nuff," "Yardbird Suite," "Confirmation" and "Ko Ko."
In the bebop revolution of the 1940’s, as Charlie Parker was the leading voice of the alto saxophone, so was Bud Powell the leading voice of the piano. Recorded in 1956 (before his Paris sojourn), the long-unavailable Blues in the Closet features Powell’s lightning-fast runs and nimble keyboard navigations on a set of originals and well-chosen standards. He is accompanied by Osie Johnson, a solid mainstream drummer, and the dean of jazz bassists, Ray Brown. A must for Powell fans and bop devotees.
Features 24 bit digital remastering. Comes with a description. An unusual global session for Atlantic Records – an album that has John Lewis presenting work by three other musicians that he feels are ripe for wider discovery! The set's got some killer work from Rene Utreger – a key Parisian player in the postwar years, working here with dexterity that's almost at a Bud Powell level! Dick Katz is also featured on the set – with some nice colors and tones in the mix, similar to some of the work he'd go onto do for Atlantic and other labels. And perhaps the least known here is the British player Derek Smith – stepping out with a lyrical style that's captured surprisingly well here – and which makes the record a key addition to Smith's catalog.
Italian pianist, composer and producer, Francesco Digilio, has announced the release of his new album