At times, McDuff demonstrates how soul-jazz organ stars used to make albums back in their '60s heyday, playing then-current pop hits like "The Age of Aquarius" and the theme from Mission: Impossible (which, thanks to cinema, was a hit all over again in 1996 when this CD was made). We also hear McDuff trying out his vocal cords for the first time on Louis Jordan's "Saturday Night Fish Fry"; actually, he merely talks the lyrics over the rhythm section – and at 70, he's entitled to this charming lark.
Features 24 bit remastering and comes with a mini-description. Those only familiar with Frank Rosolino’s trombone work may be surprised to find out that he also dabbled in vocals as well. Rosolino was highly regarded as a trombonist, especially on the West Coast scene, but seldom recorded as a leader; Free For All on the Specialty label is probably his best known work. Turn Me Loose features Rosolino doing double duty as soloist and vocalist, a la Chet Baker, and one could judge solely by the cover that this is an entertaining record by a man who is marching to the beat of a different drummer.
Hearing old favourite songs redone in a totally different manner from the original can be a challenge. It’s especially true when vocal songs that are basically embedded in your DNA are turned into instrumentals. So fans of the Beatles should approach this new compilation of jazz treatments of the Fab Four’s tunes with an open mind and fresh ears, because there are some magnificent performances here. Starting right off with Chick Corea and Gary Burton’s take on Eleanor Rigby. The two master musicians are totally in sync as they turn the tune into a driving, meditative work.
Jazz and Floyd brings you the songs made famous by the creators of The Wall in new jazz versions, with all the sophistication of the New York jazz club scene. The chance to give a twist to classics such as Another Brick in the Wall and Wish You Were Here excited the producers of this fantastic series and Jazz and Floyd, like its predecessors, will surely be a hit with listeners of all ages.
My absolute favorite Black Jazz album was Infant Eyes, by pianist Doug Carn and his wife, Jean Carn. The record had a sensual, powerful feel. What made the album a hit were the soulful lyrics the Carns crafted for jazz standards such as Bobby Hutcherson's Little B's Poem, Wayne Shorter's Infant Eyes, John Coltrane's Acknowledgment from A Love Supreme, and Horace Silver's Peace. Doug's arrangements and Jean's searing, passionate vocals gave the album a distinctly 1970s African-American feel.
Oscar Peterson was a Canadian jazz pianist and composer. He was called the "Maharaja of the keyboard" by Duke Ellington, but simply "O.P." by his friends. He released over 200 recordings, won eight Grammy Awards, and received numerous other awards and honours. He is considered one of the greatest jazz pianists, and played thousands of concerts worldwide in a career lasting more than 60 years.