Eddie Lockjaw Davis swings way out here – working in that cool cooking mode from the 50s, with organist Shirley Scott a very important partner on the date! The group's got a larger sound than usual – thanks to the addition of trombonist Steve Pullman – a player we don't know much, but who shifts the groove nicely away from some of Davis' more staid cookbook albums. Rhythm is by George Duvivier on bass and Arthur Edgehill on drums – and titles include "Bahia", "Foxy", "Bingo Domingo", and "Can't Get Out Of This Mood".
The great white shark and the killer whale are the most formidable predators in the sea. These animals are so dangerous that they would never challenge each other…or so we thought. One morning, off the Californian coast, a boatload of tourists witnessed the ultimate clash of the titans: an unexpected killing challenges the great white shark's supremacy as the ultimate predator when one became prey to a killer whale. The Whale That Ate Jaws examines this extraordinary incident. Featuring amazing underwater footage of two whales feeding on the shark, this show reveals an astonishing new perspective on the relationship between the ocean's two top predators.
Pioneering the use of stereo recording in the field, Alan Lomax made his “Southern Journey” in 1959–60, returning to the rural South (after 10 years abroad) and rediscovering its still-vital traditions. He traveled from the Appalachians to the Georgia Sea Islands, from the Ozarks to the Mississippi Delta, recording blues, ballads, breakdowns, hymns, shouts, chanteys, and work songs.