Jacobs Mozart

Freiburger Barockorchester, René Jacobs - Mozart: Symphonies Nos. 38 'Prague' & 41 'Jupiter' (2007) (Repost)

Freiburger Barockorchester, René Jacobs - Mozart: Symphonies Nos. 38 'Prague' & 41 'Jupiter' (2007)
EAC | FLAC (image+.cue, log) | Covers Included | 68:41 | 361 MB
Genre: Classical| Label: Harmonia Mundi | Catalog: HMC 901958

Renowned for his work in Baroque vocal music, René Jacobs is most frequently credited as a countertenor and as a choral director. He is somewhat less familiar as a conductor of Classical symphonic music, though he has increasingly delved into this repertoire in recordings with one of Europe's best early music groups, the Freiburger Barockorchester.
RIAS Kammerchor, Freiburger Barockorchester, Rene Jacobs - W.A. Mozart: Don Giovanni (2007) [3x SACD-ISO + Hi-Res FLAC]

RIAS Kammerchor, René Jacobs, Freiburger Barockorchester - W.A. Mozart: Don Giovanni (2007)
3x SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 170:33 minutes | Scans + PDF Booklet | 8,67 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans + PDF | 3,16 GB
The playful drama in two acts | Features Stereo and Multichannel surround sound
Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 (2010) [3x Hybrid-SACD // EAC Rip] {Repost}

Wolfgang Amadeus Mozart - Die Zauberflöte / The Magic Flute
RIAS Kammerchor / Akademie für alte Musik Berlin / René Jacobs
EAC+LOG+CUE | 3x FLAC: 715 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi # HMC 902068.70 | Country/Year: France 2010
Genre: Classical | Style: Vienesse School, Opera

…The greatest pleasure of this sonically vivid recording is the splendid orchestral playing, from the taut brilliance of the overture to the delicate tracery of the strings in the final chorus. Jacobs is more than a musicologist/provacateur, he’s a conductor whose charisma comes across in recordings—just listen to the overtures to any of his Mozart operas or his “Jupiter’ Symphony…
Juliane Banse & Andras Schiff - Songs of Debussy and Mozart (2003) {ECM New Series 1772}

Juliane Banse & András Schiff - Songs of Debussy and Mozart (2003) {ECM New Series 1772}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 193 Mb | MP3 @320 -> 141 Mb
Full Artwork @ 600 dpi (jpg) -> 169 Mb | 5% repair rar
© 2003 ECM Records | ECM New Series 1772
Classical / Chamber Music / Piano / Soprano

First recorded collaboration between one of the leading sopranos of our time, Juliane Banse, and the incomparable pianist András Schiff. The programme is a fascinating combination of two different worlds of 'Liedgesang' - in language as well as musical style and historicity.

Mozart - Don Giovanni (Rene Jacobs) (2008) [Blu-Ray]  Music

Posted by Vilboa at Dec. 4, 2016
Mozart - Don Giovanni (Rene Jacobs) (2008) [Blu-Ray]

Mozart - Don Giovanni (René Jacobs) (2008) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 20743 kbps / 1080i / 29,970 fps | 171 min | 44,8 Gb
Audio1: Italian / DTS-HD Master Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 4336 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 171 min | 9,32 Gb
Audio: Italian / DTS / 6ch / 48.0 KHz / 24 bits
Classical | Harmonia Mundi | Sub: Italian, French, English, German, Spanish

After the success of Così fan tutte and The Marriage of Figaro, René Jacobs' CD recording of this centrepiece of the Mozart/Da Ponte trilogy offered us his reflections on Classical opera and garnered serious acclaim worldwide. Performed at the Innsbruck festival in August 2006 and filmed in Baden-Baden, this production is nourished by his thoughts on Don Giovanni as taboo-breaker but still respects Mozart's intentions as closely as possible.
In the documentary Looking for Don Giovanni, the director Nayo Titzin follows the creation of this production in the search for musical truth.
Rene Jacobs, Freiburger Barockorchester - Mozart: La clenenza di Tito [2006]

Mozart - La clenenza di Tito (René Jacobs) [2006]
Classical | Harmonia Mundi 901923.24 | TT: 135' | EAC (FLAC, cue, log)| Covers | 535 MB

Too much ink has been spilt on this Clemenza di Tito supposedly composed in 18 days and which, so it is said, was conspicuously out of step with the times in 1791 . . . The interpretation offered here by René Jacobs is nothing short of revolutionary. Not only does it rehabilitate the original score in its entirety, notably the recitatives: it also restores the powerfully classical inspiration so essential to opera seria. In the final years of the Enlightenment, this was still the favoured genre of the educated man, and it is sheer delight to hear the language of Metastasio beginning to sing once more. As if magic, La clemenza suddenly springs to new and exciting life.
Rene Jacobs, Freiburger Barockorchester - Mozart: Idomeneo [2009]

Mozart - Idomeneo (René Jacobs) [2009]
Classical | Harmonia Mundi 902036.38 | TT: 191.06 | EAC (FLAC, cue, log)| Covers | 837 MB

The most famous of Mozart’s has also been the most controversial not in his lifetime, but in the 20th century! Many commentators of that period saw it only as the final metamorphosis of an outdated genre, whereas, on the contrary, the young Mozart threw himself into the work with true creative fury. But that injustice has now been overcome, as is demonstrated here: after a series of distinguished Mozart operatic recordings, notably , René Jacobs has shown he has all the requisite vigour to perform this dazzling composition, given here in the absolutely complete text Mozart intended for its premiere in Munich on 29 January 1781.
Rene Jacobs, Freiburger Barockorchester - Mozart: Don Giovanni [2007]

Mozart - Don Giovanni (René Jacobs) [2007]
Classical | Harmonia Mundi 901964.66 | TT: 170 | EAC (FLAC, cue, log)| Covers | 740 Mb

If there is one thing that marks out René Jacobs’s approach to Mozart, it is the way he constantly asks himself questions – and the specifically musical brilliance of the answers he comes up with. The success of his recent version of La clemenza di Tito is proof of that! After Così fan tutte and Le nozze di Figaro, his recording of this centrepiece of the Mozart/Da Ponte trilogy offers us the latest fruits of his reflections on Classical opera. Premiered at the 2006 Innsbruck Festival and recorded shortly afterwards, this production is nourished by his thoughts on Don Giovanni as taboo-breaker and on a ‘physiology of roles’ that respects Mozart’s intentions as nearly as possible. NB This set contains the arias of both versions created by Mozart (Prague 1787, Vienna 1788)

Rene Jacobs, Concerto Koln - Mozart: Cosi fan tutte [1999]  Music

Posted by Vilboa at April 21, 2015
Rene Jacobs, Concerto Koln - Mozart: Cosi fan tutte [1999]

Mozart - Così fan tutte (René Jacobs) [1999]
Classical | Harmonia Mundi 901663.65 | TT: 183.02 | EAC (FLAC, cue, log) | Covers | 701 Mb

This groundbreaking performance seems as if it is happening in real time. At its best, and seemingly counter-intuitively, opera is at its most effective when we don’t notice that the characters are singing: such is the case here. If you know this opera, then the third of the men’s trios in scene 1 (“Una bella serenata”) will seem very fast; hearing it with fresh ears, Jacobs’ breakneck tempo seems utterly natural—these guys have been worked up into a fun/competitive frenzy and can’t wait to get started on what they think will be a grand adventure. Similarly, the little quintet before the men depart (“Di scrivermi…”) is so slow that you feel the melodrama; if they are going to play, they are going to play thoroughly, making each word and situation count.
Bejun Mehta, Rene Jacobs - Che Puro Ciel - The Rise of Classical Opera (2013)

Bejun Mehta, Rene Jacobs - Che Puro Ciel - The Rise of Classical Opera (2013)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 322 MB
Genre: Classical | Label: Harmonia Mundi | Catalog Number: 902172

In the famous Preface to Alceste (1767), Christoph Willibald Gluck and his librettist Ranieri de' Calzabigi posited a new direction for opera. They spoke of moving beyond Baroque forms, of striving for a new naturalism in opera. They wanted, in Calzabigi's lovely phrase, to liberate the language of the heart. Taken from the height of this Reform period, the arias on this disc reveal composers exploring and experimenting, at struggle and at play, as they create the new forms that bring to opera the noble simplicity of the Classical era.