Unlike previous collections Epic has assembled, the double-disc The Very Best of Meat Loaf draws not only from his recordings for the label, but it also licenses his '90s comeback recordings for MCA. Which means, of course, that the 20-track collection is, indeed, the "very best" of Meat Loaf. Not all of his charting hits are here – "What You See Is What You Get," his 1971 single with Stoney, is absent, as is "I'm Gonna Love Her for the Both of Us," the only hit he had between the two Bat out of Hell albums – but all of the key album tracks from the two blockbusters are here, along with highlights from the sequels to the sequel, which means everything that anyone but a die-hard Meat Loaf fan could want is on this collection…
"…Even so, The Very Best of Sheryl Crow does capture her biggest and best songs, adding two good new songs to the mix (a cover of Cat Stevens' "The First Cut Is the Deepest," which uses Rod Stewart's version as the starting point, and the solid new song "Light in Your Eyes"), that in turn capture the feel of the '90s by proxy." ~Allmusic
In the midst of the late 1970s punk/new wave revolution, England's Supertramp tore a page from the Genesis playbook, suffusing their previously overwrought prog-rock influences and bittersweet hippie optimism gone sour with muscular pop hooks. They eventually became one of the world's foremost rock acts–and later a rich source for contemporary TV commercial music. But while Supertramp peaked quickly, they nonetheless spawned at least two bona fide classic albums–Crime of the Century and Breakfast in America–and a slate of FM radio staples, all of which are included on this near 80-minute anthology. Fully three-quarters of Crime is represented, and rightly so. That 1974 album both stripped down and reinvented the band's sound, centering it around the songs of Rick Davies and Roger Hodgson, pulsing electric piano chords, and distinctively reedy vocals on tense, spare songs like "Bloody Well Right" and "Dreamer." But by the time of the multiplatinum Breakfast, they had refined their edgy prog sensibility to virtual extinction with well-crafted pop hits like "The Logical Song" and "Take the Long Way Home." This well-chosen collection spans a decade, but focuses intently on the five great years that cemented Supertramp's reputation. –Jerry McCulley
"Tell The World: The Very Best Of Ratt" is a career-spanning compilation album featuring twenty tracks from all seven of Ratt's albums, including their quartet of consecutive platinum LPs from the mid-to-late-'80s: Out of the Cellar, Invasion of Your Privacy, Dancing Undercover and Reach for the Sky, plus their 1990 album Detonator and their self titled 1999 album.
This eclectic collection of songs encompasses jazz, bebop, swing, doo wop, rock & roll, and gospel; all are trimmed in an attractive pop texture. These 16 compositions are taken from the vocal quartet's albums, which span 12 years (1975-1987). Each selection is inviting, as all four song stylists display their individual vocal skills and admirable harmonies. Laurel Masse appears on recordings up until 1979, when Cheryl Bentyne replaced her. Other members include Tim Hauser, Janis Siegel, and Alan Paul.
Magnetism is the ideal beginners guide to early Bad Manners. It hits on the majority of their high points from the early 80's. This 21-track compilation presents the finest tunes by late-1970s/early-'80s British ska heroes Bad Manners, including "Can Can," "Just a Feeling," and "Tequila."
This is a CD of mostly re-recordings of his hits but it has some newer tracks that are not re-recordings. This also has his solo version of "Let It Be Me" instead of the duet version found on most other releases.