J.C. Lodge is the type of artist reggae purists have no use for. As they see it, blending reggae with elements of pop, urban contemporary and dance music in so sleek a fashion only serves to water reggae down. But then, Lodge never claimed to be a purist, and in fact, Tropic of Love is fairly decent. The expressive Lodge has an alluring, sexy quality to her voice that works to her advantage on such sleek pop-reggae offerings as "The Prey," "Why" and the hit "Telephone Love." Most of the material is very 1990s-sounding, but "Come Again" is a pleasant number that, except for some dancehall-minded toasting, recalls the reggae of the '60s (when Jamaican artists were paying very close attention to what the American soulsters of Motown were up to). Also noteworthy is Lodge's cover of Sylvia Robinson's seductive 1973 hit "Pillow Talk." Tropic isn't breathtaking, but it's definitely more soulful and enjoyable than reggae's purists claim.
Hundreds of years before the birth of Christ, a collection of love songs grew up. Under the title of the “Most beautiful of songs”, they found a home in the Old Testament-it was Martin Luther who first gave them the name of “Song of songs”-and since that time they have inspired and fascinated a vast number of theologians, mystics, philosophers, poets, painters, and, last but not least, composers. Particularly during the Baroque period, these poetic, sensual, vividly descriptive texts were set over and over again to music, and they inspired librettists to expand on the original texts.
HistoireLa Grèce archaïque d'Homère à Eschyle L'époque archaïque grecque fut longtemps l'équivalent de notre Moyen Age, considérée comme des siècles obscurs, rigides et figés. Or, grâce aux progrès de l'archéologie, à une lecture très fine des textes, on comprend mieux cette période qui, du coup, s'anime sous nos yeux …
This CD is a straight reissue of the original LP. Guitarist Tiny Grimes, who led three albums for Prestige and Swingville from 1958-59, welcomed two extroverted horn players (tenor saxophonist Eddie "Lockjaw" Davis and veteran trombonist J.C. Higginbotham), plus pianist Ray Bryant, bassist Wendell Marshall and drummer Osie Johnson, to his heated session. The group plays three original blues and "Airmail Special." Although J.C., who had a long decline, sounds a bit past his prime, plenty of sparks fly throughout the date, particularly from Grimes and Lockjaw.