Schelomo receives its mead of barbarous splendour at the hands of Nelsova and Abravanel. The recording is a shade too warm but Nelsova (who recorded far too little) who studied the piece with the composer demonstrates her familiarity and sympathy with the piece. This is essential as Schelomo is one of those works that can easily seem nondescript if the artists involved are unengaged. In that sense it is rather like the Bax cello concerto (still awaiting its ideal exponent on disc). This is Nelsova's second, recording of the work. The feverish grip of the music is strongly asserted.