Learn the fine art of backing Celtic tunes on guitar! The rhythmic center of one of today's hottest Irish bands (Solas) demonstrates the strumming patterns, bass lines, accents and syncopations that he uses to drive a tune forward. You'll discover how adding minor chords and other substitutions add interest to a basic three-chord tune, and will be playing both simple and complex accompaniments to more than a dozen great reels, jigs and hompipes.
Learn what makes a truly great session player. This DVD tutor takes you through the key techniques you'll need to accompany traditional Irish music on guitar, including alternative chords, flamenco rolls, key changing, bass runs and more.
Whether you are a beginning guitarist or an advanced player just getting into the blues, this book and DVD will get you playing authentic blues rhythm guitar right away. Learn over 50 blues rhythm patterns, including the medium shuffle, uptown blues, slow blues, blues-rock, mambo, and more - all noted in standard music notation and TAB. On the DVD, every lesson and music example is clearly demonstrated by your host Steve Trovato to help you master the art of blues rhythm playing.
In this second lesson on Celtic Fingerstyle Guitar, Tony McManus explores all the dance rhythms of Scottish music, with its pipe-marches, strathspeys, single and double jigs, slip jigs and reels. Three unusual tunings are presented: CGCGCD, CGDGCD and DAAEAE. These tunings are used to better maintain the integrity of the music and Tony has been notably successful in translating the complex music of the highland bagpipes to the guitar. The idea and playing of sets is presented as well as further exploration of ornamentation techniques.
Tony McManus is an adept master of Celtic fingerstyle guitar, both in terms of adapting Celtic music to the guitar, and in its performance - presenting all its intricacies, graces, and frills, yet at the same time maintaining the pace and drive which characterizes the style of this music. In this first lesson, Tony discusses in detail the importance of ornamentations and triplets in Celtic music and how this can be technically achieved. He illustrates these ideas with several melodies played in a Dropped D tuning. This is followed by a discussion of scales and fingerings and playing reels in the DADGAD tuning. This is a challenging lesson for the fingerstyle guitar student interested in learning Celtic music from one of the finest players of this idiom.
This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman, this book includes arrangements by Pierre Bensusan, El McMeen, Martin Simpson, Pat Kirtley, Duck Baker, Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle, pipes, button accordion, flutes and whistles, in solo and ensemble settings, but never guitar, even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve the unique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions.