Grapefruit Moon: The Songs of Tom Waits is Southside's tribute to one of his favorite songwriters, but also a pet sound: big band music. The idea to marry the brassy, ballsy sound of a big band to Tom Waits' cinematic, character-driven songs has been sitting in the back of Southside's mind for sometime.
Features 24 bit remastering and comes with a mini-description. The 27 trombones that earned one of Down Beat's rare 5***** review. Each of the selections on this set has between seven and a dozen trombonists along with a rhythm section. The first five selections were recorded with East Coast musicians and the next six with players from the West Coast but, truth be told, there is no real difference in the style of music.
Features 24 bit remastering and comes with a mini-description. Saxes Inc – a unique sax-heavy session done by Warner Brothers, and a blaring batch of tracks played by an all-star all-sax group that includes Herb Geller, Phil Woods, Gene Quill, Al Cohn, Zoot Sims, Seldon Powell, Hal McKusick, and Georgie Auld! Bob Prince arranged and conducted, and the approach is surprisingly modernist, with the saxes carrying the bulk of the rhythm and melody, as well as the solos – a really great approach that makes for plenty of unique moments – all handled with a sound that's a lot more fluid than you might expect! Titles include "Four Brothers" (of course!), "The Gypsy", "Night In Tunisia", "Jumpin With Symphony Sid", and "Axmobile".
"A Pocket Full Of Miracles" (TS306) is a 1970 album by Motown Records R&B group The Miracles,(AKA "Smokey Robinson & The Miracles") issued on its Tamla subsidiary label, one of three albums the group released that year. This album charted at #56 on the Billboard pop albums chart, and reached the top ten of the magazine's R&B albums chart, peaking at #10. It was released on September 30 of that year.
One of the best and most important psychedelic bands to emerge from South America in the late 60s/early 70s. It is impossible to indicate just how revolutionary they were-but the fact that the band were naked on the cover of their debut, and crucified their singer on the cover of their second album may give you an idea.
Hanging In The Balance can be considered Metal Church’s coming of age. They really hit their creative prime here. The lyrics and music are well refined. The production is crystal clear thanks in part to producer Paul O’Neill, famous for his excellent work with Florida metal band Savatage. This album is highly recommended to anyone who is looking for a great thrash/power metal record as well as any REAL fan of Metal Church…