Drawing upon traditions as varied as Messiaen, Xenakis, Ligeti, Bach, Tournemire, Ives, Korla Pandit and The Phantom of the Opera, Zorn’s organ improvisations are transcendent, inspiring, ecstatic experiences, offering a direct line to the workings of his rich compositional imagination. Recorded at midnight on the eve of Halloween on the largest organ in New York City, Zorn approaches this performance as ritual, creating a mysterious mood of contrasts, colors, bells, drones, counterpoint and simultaneity. This fourth volume documenting Zorn’s legendary organ recitals presents organ improvisation at its most surprising, extreme and sublime.
Adriano Falcionis recordings on Brilliant Classics of a diverse repertoire, from Couperin to Bruhns to Franck, reveal an uncommonly versatile artist, and one who relishes the colouristic possibilities of each particular instrument at hand: he has recorded the complete sonatas of Alexandre Guilmant on a richly caparisoned, eminently suitable four-manual organ from 1897 by Carlo Vegezzi-Bossi, who was one of the foremost Italian builders around the turn of the last century.
Masaaki Suzuki was an organist before he was a conductor, and his recordings of Bach's organ works have made a delightful coda to his magisterial survey of Bach cantatas with his Bach Collegium Japan. This selection, the second in a series appearing on the BIS label, gives a good idea of the gems available. You get a good mix of pieces, including a pair of Bach's Vivaldi transcriptions. Fans of Suzuki's cantata series will be pleased to note the similarities in his style between his conducting and his organ playing: there's a certain precise yet deliberate and lush quality common to both. And he has a real co-star here: the organ of the Kobe Shoin Women's University Chapel, built in 1983 by French maker Marc Garnier. The realizations of Bach's transcriptions of Vivaldi concertos fare especially well here, with a panoply of subtle colors in the organ. Sample the first movement of the Concerto in D minor, BWV 596, with its mellow yet transcendently mysterious tones in the string ripieni. BIS backs Suzuki up with marvelously clear engineering in the small Japanese chapel, and all in all, this is a Bach organ recording that stands out from the crowd. Highly recommended.