Thick-toned tenor Ike Quebec is in excellent form on this CD reissue of a 1961 Blue Note date. His ballad statements are quite warm, and he swings nicely on a variety of medium-tempo material. Unfortunately, organist Freddie Roach has a rather dated sound, which weakens this session a bit; bassist Milt Hinton and drummer Al Harewood are typically fine in support. Originals alternate with standards, with "Just One More Chance," "The Man I Love," and "Nature Boy" (the latter an emotional tenor-bass duet) being among the highlights.
During his comeback years (1959-62) after a decade mostly off the scene, tenor saxophonist Ike Quebec recorded frequently for Blue Note. He started off with a session aimed at the 45 jukebox market and, although he eventually made a few full-length albums for the label, Quebec cut four 45 dates over a two-and-a-half-year period. This double-disc set has all of the jukebox sessions. Most of the 26 selections clock in between four and seven minutes and have long melody statements in addition to concise and soulful solos. Quebec, who was in consistently prime form during his last period, is joined by groups featuring either Skeeter Best or Willie Jones on guitar and Edwin Swanston, Sir Charles Thompson, or Earl Van Dyke on organ. Fun, loose and highly enjoyable music.
Ike Quebec released a string of albums for blue note (for whom he was an A&R man as well as friend to owner Alfred Lion) during the early sixties, all of which are fantastic showcases for the deepest tenor sound this side of Ben Webster. Keeping in mind the overall greatness of the entire series of these albums the question becomes, for the Quebec fan who is looking to pick through his discography or the uninitiated looking for a place to start, what setting would you prefer to hear him in? ~ Amazon
Influenced by Coleman Hawkins and Ben Webster but definitely his own person, Ike Quebec was one of the finest swing-oriented tenor saxmen of the 1940s and '50s. Though maybe not as innovative as some of his peers, Quebec had a big, breathy sound that was distinctive and made him a cornerstone of many a recording session. This 22 track compilation traces his career from 1944 to '46.
Soul Samba (aka Bossa Nova Soul Samba) is an album by American saxophonist Ike Quebec recorded in 1962 and released on the Blue Note label. It was Quebec's final recording before his death in January 1963. Though not as well known as giants Ben Webster and Don Byas, the late Ike Quebec was a major stylist whose specialty was the big-toned, cozy, breathy, romantic tenor saxophone. Quebec made a series of soul-jazz sessions for Blue Note, as well as this 1962 rarity on which he had a go at the au courant bossa nova sound. Accompanied by the burnished guitar of Kenny Burrell and the Latin spice of Willie Bobo, Quebec brings his emotive approach to the sly, cool expression that is bossa nova. The contrast is exhilarating, making for a pleasant surprise for fans of the Brazilian style as well as for Quebec fans accustomed to his usual bluesy groove. This 2007 remastered edition includes three alternate takes.