Sidewalk is the third studio album by the Australian rock band Icehouse. It was originally released in June 1984, on the labels Regular, Chrysalis, and reached #8 on the National albums chart with singles "Taking the Town" (#22), "Don't Believe Anymore" (#22t) and "Dusty Pages" (#82). Founding member Iva Davies used the Fairlight CMI digital sampling synthesizer on this more sombre and reflective album, included are two tracks used for the Russell Mulcahy 1984 film Razorback, which he had recorded in 1983.
As an oboe/guitar player involved in electro popular music, it's no surprise Iva Davies took to Roxy Music, especially on "Street Café" and the mega-hit "Hey Little Girl," which duly landed in no less than 13 European Top Ten singles charts, going all the way in Switzerland. An album of atmospheres, "Great Southern Land" evokes images of Australia's arid interior, while "Trojan Blue" conjures up medieval Italy or France. "Mysterious Thing" continues Primitive Man's mood, and produces what may be the best line in ambient white funk recorded! Running orders for the album fluctuate; Australian editions swapped "Love in Motion" for the rockier "Break These Chains" (vice versa in the U.K.). Finishing up is an excellent reworking of "Goodnight Mr. Mathews," which had earlier appeared on the Steve Nye single-only version of "Love in Motion" (itself re-recorded less successfully). Primitive Man (aka Love in Motion in the U.K.) is still one his finest recordings.
2002 digitally remastered reissue of the Aussie rock/synthpop act's 1986 album that's unavailable domestically. Includes 5 bonus tracks 'Just A Word', 'The Perfect Game', 'The Flame' (Live), 'No Promises' (live) & 'Sister' (live).
Based on the principles of balance, Measure for Measure is half-produced by David Lord, half by Rhett Davies. American and European editions benefit from a better track list, which opens with the Davies-produced "No Promises."
Det. Sgt. Mark Dixon always wanted to be something his old man wasn't: a guy on the right side of the law. But for a good guy, he's awfully vicious. After several complaints over his roughing people up, his boss, Insp. Nicholas Foley, demotes him. Foley tells him he's a good man, but needs to get his head on straight and be more like Det. Lt. Thomas, who has just gotten a promotion. Meanwhile, Tommy Scalise has an illegal dice game going and is looking to make a sucker out of the rich Ted Morrison, who was brought in by Ken Paine and his beautiful wife Morgan.