This album consists of five songs from Nothing Like the Sun… re-recorded in Spanish and Portugese. This was a well-done project – the translations are good and Sting manages the Spanish and Portugese pronunciations well. However, unless you are huge fan, or enjoy hearing the songs sung in different languages, this is an album you'll want to pass over.
Falar, ler, escrever português - Um curso para estrangeiros. Livro do aluno. Este livro, através de método estrutural-comunicativo, leva o aluno totalmente principiante a entender, falar, ler e escrever português com fluência e segurança, em nível de linguagem coloquial correta. É destinado a adultos e a adolescentes a partir dos 13 anos de idade aproximadamente, de qualquer nacionalidade. …
Português para Todos é um método de estudo de português como língua estrangeira cujo principal objectivo é proporcionar a um público heterogéneo, fundamentalmente espanhol, os mecanismos necessários para a comunicaçao em português, oralmente ou por escrito, em situaçoes quotidianas da realidade portuguesa, assim como proporcionar a leitura e compreensao de textos de um nívelelementar a um nível avançado. …
Portugues XXI is a modern language course for teenagers and adults of all ages and backgrounds who want to learn Portuguese as a second language actively participating in a dynamic environment.
Jimmy Scott, was an American jazz vocalist famous for his high countertenor voice and his sensitivity on ballads and love songs. Lionel Hampton gave him the nickname "Little Jimmy Scott" because he looked young and was short and of slight build. His phrasing made him a favorite of artists including Billie Holiday, Ray Charles, Frankie Valli, Dinah Washington, and Nancy Wilson.
Phil Woods is right at home during these 2002 sessions at Red Rock Recording Studio near his home in Delaware Water Gap, Pennsylvania. With his regular group (Bill Charlap, Steve Gilmore, and Bill Goodwin) minus trumpeter Brian Lynch, Woods adds strings conducted by his old friend Eric Doney on this collection of ballads. "And When We're Young" is the alto saxophonist's tribute to the late Senator Robert F. Kennedy, who was assassinated around the time it was written. The leader's lush alto gives way to a brisk Latin-flavored passage featuring powerful solos by violinist Andy Stein and Charlap on piano, while Woods humorously detours into "Nature Boy" upon his return. The strings introduce a lively arrangement of "It Never Entered My Mind," and another favorite of the alto saxophonist, "If I Should Lose You." Unlike many jazz recordings with strings, they complement rather than overwhelm the musicians. But it is almost impossible for a Phil Woods-led date to turn out less than excellent.
Celebrated as an instrumentalist and a vocalist, Australian artist Nicki Parrott has earned acclaim as one of the most engaging talents to emerge on the jazz scene in the 21st century. Born in Newcastle, New South Wales, Australia in 1970, Parrott had a precocious talent for music, first learning to play the piano when she was four years old.
Since his stunning debut in 1974 with the now world-famous audiophile recordings for the Three Blind Mice label, Japanese pianist Tsuyoshi Yamamoto has built a career that now spans four decades. His brand-new trio album What A Wonderful World follows his previous release Gentle Blues (VHCD-1118), his first recording for Venus Records in 14 years. In fact, the 12 tracks in this CD were recorded on the day after 10 tracks on Gentle Blues were recorded. It is remarkable that Yamamoto and his trio recorded enough materials for two CDs in two consecutive days, but then again, he is a veteran pianist who doesn't like to repeat himself and prefers to record everything in a single take.