In July 2010 Q-Dance celebrated its 10 year anniversary with De Q-Dance Feestfabriek in the Amsterdam ArenA.
In 1983, just about every up-and-coming hard rock guitarist was mesmerized by – and copying – Eddie Van Halen's two-handed tapping technique. Then, seemingly out of nowhere, came Yngwie Malmsteen, who introduced "classical metal" to the masses. Before making a name for himself as a solo artist, Yngwie was briefly a member of L.A. rockers Alcatrazz, which resulted in a studio album (1983's No Parole from Rock 'n' Roll) and a live album (1984's Live Sentence). But come 2010, an archival live album appeared from the band (from the "Yngwie era"), Live '83. As its title states, the album is comprised of live performances from the same year that Alcatrazz's debut album was released…
The two albums enclosed in At Town Hall/The Amazing Nina Simone bookend the remarkable summer of 1959 in the career of Nina Simone, when she recorded a studio session, The Amazing Nina Simone, in May, and in September appeared At Town Hall in a superlative performance that was recorded and soon issued. Just 26, Simone displayed great assurance, especially on the live date, casting off the cloak of the vocal jazz/standards singer and performing with her own trio featuring her lively piano. The studio date features an orchestra, but it too finds her early on in her recording career stamping her voice on standards "Willow Weep for Me" and "Blue Prelude".
Gabriel is a totally unique artist, creating an enticing and varied palette of textures and colors with his trumpet, flugelhorn, flute, valve ‘bone, and electronic wind instruments with erudite grace and lyricism. He has had a half dozen Billboard Top 20 charting tracks of his own, and many more with other Artists as featured soloist, incl. 2016 releases by Greg Manning, Rock Hendricks, Tony Saunders, & Bob Baldwin.
This seventh and final installment of the Anthology of the Royal Concertgebouw Orchestra covers the years 2000 to 2010, a rich period in the orchestra's history largely characterized by the changing perspectives of a new century. Indeed, it was in 2004 that Riccardo Chailly relinquished his position as chief conductor, to be replaced by the Latvian maestro Mariss Jansons, who shifted the orchestra's focus more towards Tchaikovsky, Richard Strauss and Shostakovich. A generation of orchestral players retired and were succeeded by a group of outstanding young musicians, most of them hailing from outside the Netherlands, resulting in a growing internationalization of the Royal Concertgebouw Orchestra. Also in this period, the launch of the orchestra's own in-house record label, RCO Live, breathed new life into its rich recording tradition.