Sting’s “right and left hand,” Dominic Miller, yet again proves that he is a top-notch guitarist. Produced by the legendary Hugh Padgham (The Police, Genesis, Phil Collins, Peter Gabriel). Dominic Miller has worked continuously with Sting since they recorded The Soul Cages over 20 years ago! Features Mark King & Mike Lindup (Level 42), Ian Thomas (Eric Clapton), and Jason Rebello (Sting). On tour with Sting in North America through Summer/Fall 2010.
In July 2010 Q-Dance celebrated its 10 year anniversary with De Q-Dance Feestfabriek in the Amsterdam ArenA.
Of course, members of the distinguished avant-garde sax quartet Rova and the raucous avant jazz trio Nels Cline Singers (in which nobody sings, in case you wonder) have intermingled before on a few occasions – the Ascension project being one. Still, to bring the two together (and their audiences) and to write a repertoire especially for this short-lived septet had to require some guts and determination. And it was effort well invested, since The Celestial Septet is a thrilling record, and one of Rova's most artistically successful collaborations. Recorded in 2008 on two separate occasions, the CD features five works ranging between two and 25 minutes in duration. Strangely, both the shortest and longest piece are Larry Ochs compositions.
The Gossip close Music for Men with a song called "Spare Me from the Mold," but Beth Ditto, Nathan Paine, and Hannah Billie could never be accused of conforming. They were still a relatively underground group when Standing in the Way of Control's passionate mix of punk, soul, and disco became their breakthrough – and they sounded so confident on it, it felt like the mainstream was coming to them rather than vice versa. They've got their own piece of the pop (and pop culture) mainstream now, and Music for Men feels aboveground in the best possible way. Befitting its major-label debut, this is the band's most polished music yet, a balance of Control's ferocity and the sleek remixes of the album's singles, but it's still not slick. Most of Music for Men finds The Gossip sticking to their roots and using their success to get their messages out to as many people as possible. These songs are just as empowering as their earlier work, though they're more subtly defiant.