"Arrau's Chopin – now available in a six-CD box (Philips 432 303-2) as part of Philips's Arrau Edition – is as far from moonstruck "sentimentality" as any Chopin ever was. But no performance of the Preludes is more sentimental, in Schiller's sense, than the version Arrau recorded for Philips in 1973. Its premise – that the cycle is a grand tragedy, the darkest thing Chopin wrote – is unmistakable. Even the prefatory C-major Prelude heaves with orgasmic rubatos – more weight, it seems, than the music can possibly bear. And yet, as Arrau packs each small berth with a world of feeling, the weight grips and holds. At times, the sheer density of emotion can seem suffocatingly intense. The Prelude No. 22, a Stygian descent, is surely Hades; the plunging scales of No. 24 rip the thread of life."
The very best of Deutsche Grammophon’s piano recordings on 40 CDs, limited edition. From Aimard (The Art of Fugue) to Zimerman (his prize-winning Debussy Preludes on 1 CD for the first time), comprising all the great names – Argerich, Barenboim, Michelangeli, Gilels, Haskil, Horowitz, Kempff, Kissin, Pogorelich, Pollini, Richter; and the new names – Blechacz, Grimaud, Lang Lang, Trifonov, Yuja Wang, Yundi – this is the ideal set to form the cornerstone of a piano collection.
EMI Classics is proud to release the complete EMI recordings of one of the most well-known pianists, Samson François. This exclusive 36-CD box set includes all his early recordings that were mainly devoted to Frédéric Chopin. The height of Samson's art is probably to be found in the ballades (recorded between 26 and 28 October 1954, and first issued as an immensely successful 10" LP) and the dazzling interpretation of the nocturnes (recorded in May and June 1966). In the ballades and the nocturnes Samson establishes an allembracing color with the aid of the loud pedal, although he modulates its power and creates a rainbow effect through the highly skilled, yet quite unpredictable use of the soft pedal.
The new recordings of Chopin's works on period instruments allow contemporary listeners to discover the historical models, bringing us closer to the original and to the long-forgotten sound of the Romantic era.
To mark the 50th anniversary of the pianist’s death, EMI has brought out the largest and most comprehensive Cortot collection ever. The set offers nearly every commercial studio recording released under Cortot’s name on 78 shellac, vinyl LP, 45 rpm single, or compact disc, including unpublished takes already released on CD. To be sure, it is not quite “The Complete Cortot”. For example, the collection omits Cortot’s 1903 sessions accompanying soprano Felia Litvinne, plus a 1925 recording containing the second half only of Chopin’s First Ballade coupled on shellac with the same composer’s Second Impromptu. There is no broadcast material, either. However, we do get Cortot’s unpublished 1957 Chopin Preludes and Ballades, along with a few samples from the pianist’s long-rumored, unfinished Beethoven cycle recorded at the Ecole Normale in 1958/59
The box set comprised 100 volumes featuring 72 pianists of the 20th century, each volume with two CDs and a booklet about the life and work of the featured pianist. The set contains a variety of composers from different eras, from Baroque to Contemporary classical.