Comedian Rich Hall goes to the Lone Star state in search of the real Texas and asks what it means to be a Texan. From the Alamo to the oil industry and everything in between, Rich explores the landscape, the people and the true heart of this historic state. With the help of scholars, ranchers and musicians, Rich explores every aspect of what it is to be a Texan. He not only seeks the truth behind so many myths and legends in history and on screen, but also explores how this land and its people has made such an impact on the rest of the world. Rich goes from the ranches of Marfa to the music of Austin and the oil fields of Beaumont, and incorporates interviews, archive clips of some of cinema's finest films, historical photographs and footage, all brought together with his customary wit and intelligence.
Though its title track ignited a nationwide fad for go-go music, Smokey Robinson & the Miracles' Going to a Go-Go LP certainly wasn't just a cash-in effort. It's one of the best records the group put out, and the first six songs make for the best side of any original Motown LP of the '60s (granted, all but one are also available on dozens of Miracles compilations). The four biggest hits were among the best in a set of Miracles archetypes: the throwback to the aching '50s doo wop ballad ("Ooo Baby, Baby"), the flashy up-tempo dance song ("Going to a Go-Go"), the dancing-with-tears-in-my-eyes jerker ("The Tracks of My Tears"), and the mid-tempo orchestral epic ("My Girl Has Gone"). "Choosey Beggar" is one of the sweetest of all Robinson's lead vocals, with stunning background work by the rest of the Miracles.