Hylton Lacy Publishers Limited

Publishers Weekly - August 7, 2017  Magazines

Posted by crazy-slim at Aug. 15, 2017
Publishers Weekly - August 7, 2017

Publishers Weekly - August 7, 2017
English | 80 pages | True PDF | 14 MB

Steve Lacy - The Gleam (1986) {Silkheart SHCD-102}  Music

Posted by ruskaval at June 30, 2017
Steve Lacy - The Gleam (1986) {Silkheart SHCD-102}

Steve Lacy - The Gleam (1986) {Silkheart SHCD-102}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 303 Mb | MP3 @320 -> 138 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1986 Silkheart Records | SHCD-102
Jazz / Avant-Garde Jazz / Post Bop / Saxophone

This Silkheart release has one of the finest all-around recordings by Steve Lacy's Sextet. The leader, a longtime master of the soprano sax, is joined by the underrated altoist Steve Potts (who doubles on soprano), pianist Bobby Few, bassist Jean-Jacques Avenel, drummer Oliver Johnson, and Irene Aebi on vocals and violin. Aebi's singing, which is always an acquired taste, is as accessible as it ever was on the joyful "Gay Paree Bop"; all five compositions are Lacy originals. Overall, this set gives listeners a particularly strong example of the work of the innovative Steve Lacy Sextet.

Ben Lacy's - Two-Hand Groove Guitar [repost]  eBooks & eLearning

Posted by ParRus at April 9, 2017
Ben Lacy's - Two-Hand Groove Guitar [repost]

Ben Lacy's - Two-Hand Groove Guitar
DATA-DVD | English | MP4 + PDF tabs + MP3 jam tracks | 720 x 406 | AVC ~1452 kbps | 29.970 fps
AAC 128 Kbps 44.1 KHz | 2 channels | ~3 hours | 1.43 GB
Genre: eLearning Video / Guitar lesson

Funkify your six-string grooves with polyphonic techniques Hire a bass player for the gig: $150. Hire a drummer: $150. Hire a horn section: $75 a man. Play all of the band parts yourself: Priceless. No, we're not talking about one of those evil little midi-crap machines that cats are using instead of real players 'cause gigs just don't pay what they used to. We're talking going solo on guitar and funkifying your six-string grooves with polyphonic techniques for crafting drum, bass, and horn parts a la Ben Lacy and his Two-Hand Groove Guitar technique.
Nicolas Gombert (c. 1495 – c. 1560) - Motets - Beauty Farm (2015) {2CD Fra Bernardo Limited Edition FB 1504211}

Nicolas Gombert (c. 1495 – c. 1560) - Motets - Beauty Farm (2015) {2CD Fra Bernardo Limited Edition FB 1504211}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 626 Mb | MP3 @320 -> 278 Mb
Full Artwork @ 600 dpi (jpg) -> 113 Mb | 5% repair rar
© 2015 Fra Bernardo | Limited Edition | FB 1504211
Classical / Renaissance / Early Music / Choral / Sacred / Polyphony

Gombert’s compositions are all vocal, some of which are for ensembles of up to twelve parts. His contrapuntal language is based on that of Josquin, but taken to the next level of complexity. Gombert’s vocal textures are often densely packed and the individual lines are characterised by an avoidance of rests. A substantial number of Gombert’s compositions survive, including ten masses, over 160 motets, 60 secular chansons, and a set of eight Magnificats (one in each mode). The motets on this recording, for 4–6 voices, are all fine representations of Gombert’s musical style.

Steve Lacy Five - The Way (1972) 2CDs, Reissue 2004  Music

Posted by Designol at Sept. 13, 2016
Steve Lacy Five - The Way (1972) 2CDs, Reissue 2004

Steve Lacy Five - The Way (1972) 2CDs, Reissue 2004
EAC | FLAC | Image (Cue&Log) ~ 830 Mb (incl 5%) | Mp3 (CBR320) ~ 293 Mb (incl 5%) | Scans included
Avant-Garde Jazz, Free Jazz, Post-Bop | Label: HAT HUT | # hatOLOGY 2-604 | Time: 01:55:35

This double-CD reissues the nine numbers from a former double LP, adding three previously unreleased tunes from the same Switzerland concert. The Steve Lacy Five (the leader on soprano, Steve Potts on alto and soprano, Irene Aebi on cello, violin and vocals, bassist Kent Carter and drummer Oliver Johnson) is at its best on scalar-based instrumentals such as the near-classic "Blinks." Some tunes utilize the voices of Aebi and Lacy, and these are often quite eccentric and for more selective tastes. But the many strong solos by Lacy and the highly underrated altoist Potts makes this two-fer of interest for followers of advanced jazz. This was always a well-organized and highly original group.

Steve Lacy & Mal Waldron - At the Bimshuis 1982 (2006)  Music

Posted by mark70 at Aug. 16, 2016
Steve Lacy & Mal Waldron - At the Bimshuis 1982 (2006)

Steve Lacy & Mal Waldron - At the Bimshuis 1982 (2006)
EAC Rip | FLAC (tracks) + Cue + Log | Artwork | 48:53 min | 255 MB
Genre: Jazz | Label: Challenge Records #DBCHR 75349

This previously unreleased live session from 1982 features saxophonist Steve Lacy and pianist Mal Waldron in duo performances recorded at the Bimhuis in Amsterdam, the home of Dutch jazz masters like Han Bennink, Misha Mengelberg and Willem Breuker. Both musicians are great improvisors and they frequently performed together as a duo. They also share a deep influence by Thelonious Monk, which is evident in this stunning performance. On this recording they perform Lacy's 'Blues for Aida', heard here in its earliest recorded version, and an innovative version of Waldron's `Snake Out'. The programme is completed by three Thelonious Monk tunes, `Reflection', `Round Midnight' and `Epistrophy'.
Mal Waldron & Steve Lacy - Live at Dreher, Paris 1981 - Vol. 1 & 2 (2003) {4CD Set hatOLOGY 4-596}

Mal Waldron & Steve Lacy - Live at Dreher, Paris 1981 - Vol. 1 & 2 (2003) {4CD Set hatOLOGY 4-596}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.31 Gb | MP3 @320 -> 615 Mb
Full Artwork @ 600 dpi (png) -> 329 Mb | 5% repair rar
© 1981, 2003 hatOLOGY / HAT HUT Records | 4-596
Jazz / Post Bop / Progressive Jazz / Avant-Garde Jazz / Piano / Saxophone

The equality, the almost perfect balance in complement and contrast, of the musical collaboration between Steve Lacy and Mal Waldron was palpable in both its internal and external workings … These four CDs, captured live in Paris in 1981, are notable as the first documentation of their performances as a duo, a particularly felicitous exploration of common interests and uncommon talents, initiating an intermittent series of duo recordings that would span thirteen years, varying repertoire, and several labels, but never venture far from the groundwork that was established here.
Steve Lacy - The Complete Whitey Mitchell Sessions, 1956 (2004) Reissue 2011

Steve Lacy - The Complete Whitey Mitchell Sessions, 1956 (2004) Reissue 2011
EAC | FLAC | Tracks (Cue&Log) ~ 380 Mb (incl 5%) | Mp3 (CBR320) ~ 185 Mb (incl 5%) | Scans included
Genre: Bop, Cool, Saxophone Jazz | Label: American Jazz Classics | # 99054 | Time: 01:09:09

Considered the first modern soprano saxophonist, Steve Lacy propelled the instrument from classic Dixieland romps to the cutting edge of avant-garde jazz and back again. This import exclusive remastered reissue features two rare 1956 sessions of Steve Lacy during the early stages of his legendary career. The release also features such fine musicians as Herbie Mann, Don Stratton, Joe Puma, Dave McKenna and Osie Johnson.
150 Crochet Trims: Designs for Beautiful Decorative Edgings, from Lacy Borders to Bobbles, Braids, and Fringes (Repost)

150 Crochet Trims: Designs for Beautiful Decorative Edgings, from Lacy Borders to Bobbles, Braids, and Fringes By Susan Smith
2007 | 128 Pages | ISBN: 0312359829 | DJVU | 12 MB
Steve Lacy - Scratching The Seventies / Dreams (1996) {3CD Saravah - SHL 2082}

Steve Lacy - Scratching The Seventies / Dreams (1996) {3CD Saravah - SHL 2082}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.19 Gb | MP3 @320 -> 461 Mb
Full Artwork @ 300 dpi (png) -> 98 Mb | 5% repair rar
© 1996 Saravah | SHL 2082
Jazz / Free Jazz / Contemporary Jazz / Post Bop

This gives a good picture of Lacy's range in the 1970s. Solos, some very stretched out ensemble work, some of the best Aebi I've heard. There's even a snippet of Lacy playing Satie––if you visit the Satie Museum in Honfleur you'll heard a beauteous solo of his, and he played Satie in a few European concerts, recordings of which exist and should be issued. The three-CD box set that makes up Scratching the Seventies/Dreams represents Steve Lacy's first expatriate records in Paris beginning with sessions in June of 1969 and concluding in 1977 with six of the seven members of the Steve Lacy Septet (pianist Bobby Few was not yet on board). Here, five complete albums tell the story of that decade in the musical aesthetic of Steve Lacy's development as an artist as well as a composer and bandleader.