Hylton Lacy Publishers Limited

Ben Lacy's - Two-Hand Groove Guitar [repost]  eBooks & eLearning

Posted by ParRus at April 9, 2017
Ben Lacy's - Two-Hand Groove Guitar [repost]

Ben Lacy's - Two-Hand Groove Guitar
DATA-DVD | English | MP4 + PDF tabs + MP3 jam tracks | 720 x 406 | AVC ~1452 kbps | 29.970 fps
AAC 128 Kbps 44.1 KHz | 2 channels | ~3 hours | 1.43 GB
Genre: eLearning Video / Guitar lesson

Funkify your six-string grooves with polyphonic techniques Hire a bass player for the gig: $150. Hire a drummer: $150. Hire a horn section: $75 a man. Play all of the band parts yourself: Priceless. No, we're not talking about one of those evil little midi-crap machines that cats are using instead of real players 'cause gigs just don't pay what they used to. We're talking going solo on guitar and funkifying your six-string grooves with polyphonic techniques for crafting drum, bass, and horn parts a la Ben Lacy and his Two-Hand Groove Guitar technique.
Nicolas Gombert (c. 1495 – c. 1560) - Motets - Beauty Farm (2015) {2CD Fra Bernardo Limited Edition FB 1504211}

Nicolas Gombert (c. 1495 – c. 1560) - Motets - Beauty Farm (2015) {2CD Fra Bernardo Limited Edition FB 1504211}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 626 Mb | MP3 @320 -> 278 Mb
Full Artwork @ 600 dpi (jpg) -> 113 Mb | 5% repair rar
© 2015 Fra Bernardo | Limited Edition | FB 1504211
Classical / Renaissance / Early Music / Choral / Sacred / Polyphony

Gombert’s compositions are all vocal, some of which are for ensembles of up to twelve parts. His contrapuntal language is based on that of Josquin, but taken to the next level of complexity. Gombert’s vocal textures are often densely packed and the individual lines are characterised by an avoidance of rests. A substantial number of Gombert’s compositions survive, including ten masses, over 160 motets, 60 secular chansons, and a set of eight Magnificats (one in each mode). The motets on this recording, for 4–6 voices, are all fine representations of Gombert’s musical style.

Steve Lacy Five - The Way (1972) 2CDs, Reissue 2004  Music

Posted by Designol at Sept. 13, 2016
Steve Lacy Five - The Way (1972) 2CDs, Reissue 2004

Steve Lacy Five - The Way (1972) 2CDs, Reissue 2004
EAC | FLAC | Image (Cue&Log) ~ 830 Mb (incl 5%) | Mp3 (CBR320) ~ 293 Mb (incl 5%) | Scans included
Avant-Garde Jazz, Free Jazz, Post-Bop | Label: HAT HUT | # hatOLOGY 2-604 | Time: 01:55:35

This double-CD reissues the nine numbers from a former double LP, adding three previously unreleased tunes from the same Switzerland concert. The Steve Lacy Five (the leader on soprano, Steve Potts on alto and soprano, Irene Aebi on cello, violin and vocals, bassist Kent Carter and drummer Oliver Johnson) is at its best on scalar-based instrumentals such as the near-classic "Blinks." Some tunes utilize the voices of Aebi and Lacy, and these are often quite eccentric and for more selective tastes. But the many strong solos by Lacy and the highly underrated altoist Potts makes this two-fer of interest for followers of advanced jazz. This was always a well-organized and highly original group.
150 Crochet Trims: Designs for Beautiful Decorative Edgings, from Lacy Borders to Bobbles, Braids, and Fringes (Repost)

150 Crochet Trims: Designs for Beautiful Decorative Edgings, from Lacy Borders to Bobbles, Braids, and Fringes By Susan Smith
2007 | 128 Pages | ISBN: 0312359829 | DJVU | 12 MB
Steve Lacy - Scratching The Seventies / Dreams (1996) {3CD Saravah - SHL 2082}

Steve Lacy - Scratching The Seventies / Dreams (1996) {3CD Saravah - SHL 2082}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.19 Gb | MP3 @320 -> 461 Mb
Full Artwork @ 300 dpi (png) -> 98 Mb | 5% repair rar
© 1996 Saravah | SHL 2082
Jazz / Free Jazz / Contemporary Jazz / Post Bop

This gives a good picture of Lacy's range in the 1970s. Solos, some very stretched out ensemble work, some of the best Aebi I've heard. There's even a snippet of Lacy playing Satie––if you visit the Satie Museum in Honfleur you'll heard a beauteous solo of his, and he played Satie in a few European concerts, recordings of which exist and should be issued. The three-CD box set that makes up Scratching the Seventies/Dreams represents Steve Lacy's first expatriate records in Paris beginning with sessions in June of 1969 and concluding in 1977 with six of the seven members of the Steve Lacy Septet (pianist Bobby Few was not yet on board). Here, five complete albums tell the story of that decade in the musical aesthetic of Steve Lacy's development as an artist as well as a composer and bandleader.

Reverend Hylton - Stubborn Nail (2016)  Music

Posted by Pisulik at March 6, 2016
Reverend Hylton - Stubborn Nail (2016)

Reverend Hylton - Stubborn Nail (2016)
Country, Americana, Singer-Songwriter | MP3 CBR 320 kbps | 00:57:20 | 133 MB
Label: Reverend Hylton | Release Year: 2016

Reverend Justin Hylton was born and raised in Marietta, Georgia, where he learned to play guitar at age 16. He says that at that age, "I was getting into a lot of trouble, and my mom would send me to my grandfather’s house. That’s where I learned to play guitar, we would sit on the front porch and pick for days.” He spent his 20s traveling through trouble around the country, playing his guitar and gaining valuable life experiences most of which he doesn’t remember. Eventually the party stopped and Justin “got his shit together.”

Bill Hylton's Frame & Panel Magic  eBooks & eLearning

Posted by ksveta6 at Feb. 25, 2016
Bill Hylton's Frame & Panel Magic

Bill Hylton's Frame & Panel Magic (Popular Woodworking) by Bill Hylton
2005 | ISBN: 1558707409 | English | 128 pages | PDF | 28 MB

Steve Lacy - Five Facings (2008) {Jazzwerkstatt jw025}  Music

Posted by ruskaval at Jan. 29, 2016
Steve Lacy - Five Facings (2008) {Jazzwerkstatt jw025}

Steve Lacy - Five Facings (2008) {Jazzwerkstatt jw025}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 378 Mb | MP3 @320 -> 182 Mb
Full Artwork @ 600 dpi (png) -> 196 Mb | 5% repair rar
© 2008 Jazzwerkstatt / FMP | jw025
Jazz / Free Improvisation / Saxophone / Piano

This set, recorded between April 4 and April 8, 1996, teamed soprano saxophone giant Steve Lacy with five different pianists. Half the cuts were composed by Lacy, three by Thelonious Monk, and one improvisation by Van Hove and Lacy – the least interesting work included here, because it didn't work. The first five tracks would have made an album for any jazz fan, and the rest, while interesting, don't touch the first half, and perhaps that's because the first two pianists are Marilyn Crispell and Misha Mengelberg. Two pieces by Lacy, "The Crust" and "Blues For Aida," start things off with Crispell playing an inspired counterpoint to the artist during the melody, moving into a piano solo that combines a total shift of Lacy's compositional thought into an almost purely classical realm (Bruckner anyone?) before entering into a dialogue that brings the work back to the jazz tradition, and there is no seam.

Kyuuto! Japanese Crafts! Lacy Crochet [Repost]  eBooks & eLearning

Posted by thingska at Nov. 25, 2015
Kyuuto! Japanese Crafts! Lacy Crochet [Repost]

Kyuuto! Japanese Crafts! Lacy Crochet by Chronicle Books
English | Dec. 13, 2007 | ISBN: 0811860582 | 77 Pages | PDF | 20.5 MB

Steve Lacy + 6 - The Cry (1999) [2CD] {Soul Note}  Music

Posted by ruskaval at Nov. 21, 2015
Steve Lacy + 6 - The Cry (1999) [2CD] {Soul Note}

Steve Lacy + 6 - The Cry (1999) [2CD] {Soul Note}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 507 Mb | MP3 @320 -> 205 Mb
Full Artwork @ 600 dpi (png) -> 373 Mb | 5% repair rar
© 1999 Soul Note | 121315-2
Jazz / Avant-Garde Jazz / Post Bop / Saxophone

Saxophonist Lacy provides listeners with an engaging, lyrical selection of material. Featured here is Lacy's long-time collaborator acoustic bassist Jean-Jacques Avenel; each offering lengthy periods of soloing. Fluid and stunning, Avenel migrates over the expanse of his instrument's ebony fingerboard conjuring compelling and commanding melodies with effortless virtuosity. An entirely different face of Lacy, this is the man at his experimental best. His wife, Irene Aebi, joins on vocals. As much as the fragmented and angular musical lines, Aebi's theatric and often spoken delivery gives this music its art jazz quality. Added instrumentation is more saxophones, bass clarinet, percussion, and especially the harpsichord.