Hun Joon Kim

Dear Reader: The Unauthorized Autobiography of Kim Jong IL  eBooks & eLearning

Posted by First1 at June 25, 2017
Dear Reader: The Unauthorized Autobiography of Kim Jong IL

Dear Reader: The Unauthorized Autobiography of Kim Jong IL by Michael Malice
English | January 25th, 2014 | ISBN: 1495283259 | 420 Pages | EPUB | 0.38 MB

No country is as misunderstood as North Korea, and no modern tyrant has remained more mysterious than the Dear Leader, Kim Jong Il. Now, celebrity ghostwriter Michael Malice pulls back the curtain to expose the life story of the "Incarnation of Love and Morality." Taken directly from books spirited out of Pyongyang, DEAR READER is a carefully reconstructed first-person account of the man behind the mythology.
Forte Di Quattro - Forte Di Quattro (2017) [Official Digital Download]

Forte Di Quattro - Forte Di Quattro (2017)
FLAC (tracks) 24-bit/48 kHz | Time - 61:31 minutes | 757 MB
Studio Master, Official Digital Download | Artwork: Front cover

K-pop levels up with popera Forte di Quattro. Combining elements of pop and opera, the so-called 'popera' singers performed four tracks off their first album. Crossover is a common genre in other countries, but despite Korean artists fusing different genres for decades, many Korean audiences are unfamiliar with 'crossover', not seeing it as a separate genre in itself. "Many Koreans think crossover means popera, but that's a misconception. Popera is a kind of a crossover, but there can be many more, such as the fusion of jazz and Korean traditional folk songs, or of rap and classical music. So, the genre will always be developing".

Emma Roberts - Jason Kim Photoshoot 2017  Girls

Posted by nrg at June 18, 2017
Emma Roberts - Jason Kim Photoshoot 2017

Emma Roberts - Jason Kim Photoshoot 2017
12 jpg | up to 1600*1026 | 4.05 MB
American actress and singer

Rudyard Kipling - Kim  eBooks & eLearning

Posted by Karabas91 at June 18, 2017
Rudyard Kipling - Kim

Rudyard Kipling - Kim
Italian | 2014 | 357 pages | ISBN: 884591836X | EPUB | 0,84 MB

VLSI-SoC: Design for Reliability, Security, and Low Power  eBooks & eLearning

Posted by Jeembo at June 13, 2017
VLSI-SoC: Design for Reliability, Security, and Low Power

VLSI-SoC: Design for Reliability, Security, and Low Power: 23rd IFIP WG 10.5/IEEE International Conference on Very Large Scale Integration, VLSI-SoC 2015, Daejeon, Korea, October 5-7, 2015, Revised Selected Papers by Youngsoo Shin, Chi Ying Tsui, Jae-Joon Kim, Kiyoung Choi, Ricardo Reis
English | 2016 | ISBN: 331946096X | 223 Pages | PDF | 49.8 MB

This book contains extended and revised versions of the best papers presented at the 23rd IFIP WG 10.5/IEEE International Conference on Very Large Scale Integration, VLSI-SoC 2015, held in Daejeon, Korea, in October 2015.

Kim H. Krisco - Sherlock Holmes e il treno fantasma del Kongo Nkisi  eBooks & eLearning

Posted by Karabas91 at June 9, 2017
Kim H. Krisco - Sherlock Holmes e il treno fantasma del Kongo Nkisi

Kim H. Krisco - Sherlock Holmes e il treno fantasma del Kongo Nkisi
Italian | 2016 | 107 pages | ASIN: B01M6WQVV0 | EPUB | 0,3 MB
Zooey Deschanel by Sebastian Kim for Lucky Magazine March 2014

Zooey Deschanel - Sebastian Kim Photoshoot
5 jpg | up to 1473*1964 | 2.89 MB
American actress
Tigran Mansurian & Kim Kashkashian - Monodia (The Hilliard Ensemble, Munchener; Christoph Poppen) (2004)

Tigran Mansurian & Kim Kashkashian - Monodia (The Hilliard Ensemble, Munchener; Christoph Poppen) (2004)
EAC Rip | FLAC, IMG+CUE, LOG, Covers | CD1'46:48, CD2'33:56 | 462 MB
Classical | ECM 1850/51 / 472 7842

Tigran Mansurian's music is rooted in Armenian folk and church music filtered through contemporary Europeans, especially Bartók. In many respects he resembles other post-Soviet composers like Schnittke and Svirdov, sharing their combination of elusiveness and accessibility. Kim Kashkashian has long championed his works, and the outstanding violist is superb here. She's the center of gravity in the Viola Concerto, titled "…and then I was in time again," a quote from Faulkner and resembling his stream-of-consciousness style. The complex interplay of soloist and 18 strings fascinates, the two going their own ways and coming together again in unpredictable fashion but always to expressive effect. It's in two movements, the first more dramatic, the second poignant. In Lachrymae,.. –Dan Davis
Meredith Blecha-Wells, Sun Min Kim - Martinů: Small Storms (2017)

Meredith Blecha-Wells, Sun Min Kim - Martinů: Small Storms
Classical, Chamber Music | WEB FLAC (tracks) & d. booklet | 58:36 min | 256 MB
Label: Navona Records | Tracks: 31 | Rls.date: 2017

Like many European composers alive during the World Wars, Bohuslav Martinů (1890-1959) was nomadic. But while most of these artists’ music changed drastically based on their location, Martinů’s compositional style consistently referenced the culture of his Czech heritage. SMALL STORMS – cellist Meredith Blecha-Wells’ debut record – contains Martinů’s duos for cello and piano from the latter half of his life, with the performances of Blecha-Wells and pianist Sun Min Kim fully embodying the folkloric sensibility and conservative style that typify the composer’s oeuvre.

Kim Wilde - Select (1982) [Non-Remastered] Re-Up  Music

Posted by Designol at May 30, 2017
Kim Wilde - Select (1982) [Non-Remastered] Re-Up

Kim Wilde - Select (1982) [Non-Remastered]
EAC | FLAC | Image (Cue&Log) ~ 296 Mb | Mp3 (CBR320) ~ 128 Mb | Scans included
Pop, New Wave, Hi-NRG, Pop/Rock | Label: EMI Electrola | # 7 92236 2 | Time: 00:40:48

Kim Wilde's second album didn't score any hits on the level of the debut's "Kids in America," although the dramatic "Cambodia" was a sort of cult favorite in some circles. That said, it's a far better album than the patchy debut; the songs, again by brother Rikki Wilde with occasional collaborations by father Marty Wilde, don't have the bubblegum tinge that colored much of 1981's Kim Wilde. The arrangements are more synth-oriented, at times approaching the dark atmospherics of Japan or Orchestral Manoeuvres in the Dark. The occasionally melodramatic lyrics cover topics like police brutality and paranoia – unsurprisingly, new insights aren't much in evidence – and even the love songs, like the delicate "View from a Bridge," aren't exactly happy. The overall vibe of this album is so chilly that the one basically upbeat song, "Can You Come Over," sounds really out of place, but overall, it works. Wilde sings with a clinical detachment here that suits her voice quite well; whenever Wilde tries to emote musically, the results sound forced and melodramatic, but her icy edge on this album is surprisingly appealing.