Here's Sonny playing with an expanded "3 Souls" sounding, to my ears at least, a bit like Hank Crawford. Wicked jazz album on Chess Records off-shoot Cadet label, produced by the great Richard Evans in 1966. Stellar line-up including Cleveland Eaton and Maurice White. 'The Wailer' is a killer tune + super tough Berimbau!
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Never one for the slick, safe live recording, Reed outdid himself on this 1978 double. Street Hassle (also '78) had brought him halfway back from the brink he'd braved with Metal Machine Music, but here the well-known songs' loose outlines are just irrelevant backdrops for extended miserabilist rants against fans, friends and critics. A cross between Lenny Bruce and Alex Ferguson, Lou bitches about the injustice of it all as the nervous, ignored band jam through "Sweet Jane", "Walk On The Wild Side" et al. Reed as great, grizzling punk grinch.
The Broadsword and the Beast is the 14th studio album by Jethro Tull, released on 10 April 1982 and according to Ian Anderson in the liner notes of the remastered CD, contains some of Jethro Tull's best music. It mixes electronic sound, provided by Peter-John Vettese (a characteristic that would be explored further on the next album Under Wraps), with acoustic instruments. The album is a cross between the synthesiser sound of the 1980s and the folk-influenced style that Tull had in the previous decade. The Broadsword and the Beast is one of Steve Hackett's favorite albums.