A great album recorded in 1963 for Atlantic – one of our favorite ever! Jack Wilson's one of our favorite piano players, and we rave about him all the time on these pages – and one of the reasons why we love him so much is that he was often accompanied by Roy Ayers, who started out his career playing vibes in his group! The pair together are a dream, and this album is arguably their best effort – filled with moody modal cuts, and lots of lyrical interplay that hits these beautiful high points, then dives into pits of darkness. Titles include "Harbor Freeway", "De Critifeux", "Corcovado", "Jackleg", and "Nirvana & Dana".
Here's Sonny playing with an expanded "3 Souls" sounding, to my ears at least, a bit like Hank Crawford. Wicked jazz album on Chess Records off-shoot Cadet label, produced by the great Richard Evans in 1966. Stellar line-up including Cleveland Eaton and Maurice White. 'The Wailer' is a killer tune + super tough Berimbau!
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Never one for the slick, safe live recording, Reed outdid himself on this 1978 double. Street Hassle (also '78) had brought him halfway back from the brink he'd braved with Metal Machine Music, but here the well-known songs' loose outlines are just irrelevant backdrops for extended miserabilist rants against fans, friends and critics. A cross between Lenny Bruce and Alex Ferguson, Lou bitches about the injustice of it all as the nervous, ignored band jam through "Sweet Jane", "Walk On The Wild Side" et al. Reed as great, grizzling punk grinch.
Never understood why the boys dubbed their third record 7 Wishes and not 3 Wishes (maybe cause Shooting Star snagged the idea first); whatever the case, the title track, concerning a magic lamb, burns down one side and up the other…