Hopper Dissasembler

Robin Hopper Ceramics: A Lifetime of Works, Ideas and Teachings  eBooks & eLearning

Posted by Bayron at June 2, 2017
Robin Hopper Ceramics: A Lifetime of Works, Ideas and Teachings

Robin Hopper Ceramics: A Lifetime of Works, Ideas and Teachings by Robin Hopper
English | 2007 | ISBN: 0873499964 | 256 pages | EPUB | 38 MB

Edward Hopper in Vermont  eBooks & eLearning

Posted by tarantoga at June 2, 2017
Edward Hopper in Vermont

Bonnie Tocher Clause, "Edward Hopper in Vermont"
ISBN: 1611683289 | 2012 | EPUB | 234 pages | 11 MB
Hugh Hopper And Richard Sinclair - Somewhere In France (1996)

Hugh Hopper And Richard Sinclair - Somewhere In France (1996)
Rock | 1cd | EAC Rip | Flac + Cue + Log | covers
Voiceprint, VP133CD | rel: 1996 | 195Mb

Don't panic here!! It's not a bass duel coming from the two most gifted bass player of the Kent county, but a sweet minor collaboration where the former (Hugh) takes on the songwriting (thus making this a Hopper album, rather than a Sinclair album) and often leaves Richard on bass, guitars and of course vocals.

Hugh Hopper & Kramer - A Remark Hugh Made (1994) {Shimmy-076}  Music

Posted by ruskaval at Feb. 10, 2017
Hugh Hopper & Kramer - A Remark Hugh Made (1994) {Shimmy-076}

Hugh Hopper & Kramer - A Remark Hugh Made (1994) {Shimmy-076}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 303 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 300 dpi (png) -> 28 Mb | 5% repair rar
© 1994 Shimmy Disc | Shimmy-076
Jazz / Rock / Experimental Rock / Jazz Rock / Progressive Rock / Art Rock / Neo-Psychedelia

This album is a collaboration between Hugh Hopper of The Soft Machine and Kramer. Robert Wyatt is featured on "Free Will And Testament." A Remark Hugh Made was produced and engineered by Kramer. This album is recommended for fans of The Soft Machine and Kramer. Although this album was recorded long after the peak creative period of The Soft Machine, all artists on this CD demonstrate that they were not past their prime in 1994.
In Sunlight Or In Shadow: Stories Inspired by the Paintings of Edward Hopper by Lawrence Block

In Sunlight Or In Shadow: Stories Inspired by the Paintings of Edward Hopper by Lawrence Block
Audiobook Unabridged | English | December 6, 2016 | ISBN: 1520045026 | mp3 | 2 ch 64 Kbps | 9 hrs 46 min | 284 MB

Hopper Disassembler 4.0.8  Software

Posted by Givaraa at Dec. 21, 2016
Hopper Disassembler 4.0.8

Hopper Disassembler 4.0.8 | MacOSX | 60 MB

Hopper Disassembler is a binary disassembler, decompiler, and debugger for 32-bit and 64-bit executables. It will let you disassemble any binary you want, and provide you all the information about its content, like imported symbols, or the control flow graph! Hopper can retrieve procedural information about the disassembled code like the stack variables, and lets you name all the objects you want.
Hugh Hopper & Matt Howarth - The Stolen Hour (2004) {Burning Shed Reissue 2014}

Hugh Hopper & Matt Howarth - The Stolen Hour (2004) {Burning Shed Reissue 2014}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 289 Mb | MP3 @320 -> 141 Mb | Data -> 7 Mb
Full Artwork @ 600 dpi (png) -> 95 Mb | 5% repair rar
© 2004, 2014 Burning Shed | bshed 0204
Jazz / Experimental Jazz / Experimental Rock / Electronic

Gloriously atmospheric, jagged and intense, 2004's 'The Stolen Hour' was a superb extension of Hugh Hopper's 'Jazzloops' series of explorations written to accompany the distinctive imagery of American comic book artist, Matt Howarth. Assisted by, amongst others, Robert Wyatt (cornet, voice), John Marshall and Didier Malherbe, Hopper updated the Jazz-tinged Minimalist looping he initially developed in the 1960s, evoking the innovative spirit of early Soft Machine, while simultaneously suggesting new possibilities for his music. Matt Howarth's 'The Stolen Hour', the visual inspiration for this landmark in the development of Hopper's truly idiosyncratic talent, is featured as a pdf file on the enhanced CD.
Hugh Hopper - 1984 (1972) {2013 Japan Mini LP Blu-spec DSD Remaster SICP 30325}

Hugh Hopper - 1984 (1972) {2013 Japan Mini LP Blu-spec DSD Remaster SICP 30325}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 350 Mb | MP3 @320 -> 142 Mb
Full Artwork @ 600 dpi (png) -> 319 Mb | 5% repair rar
© 1972, 2013 Columbia / Sony Music Japan | SICP 30325 | DSD remaster
Jazz / Rock / Jazz Rock / Experimental / Prog Rock

Cardboard sleeve reissue features remastering in 2013 and the high-fidelity Blu-spec CD2 format (compatible with standard CD players). Includes bonus tracks. Originally released in 1973 by the Soft Machine bassist shortly after the band had lost eccentric drummer/vocalist Robert Wyatt and had begun their evolution into a respectable (and somewhat predictable) jazz-rock ensemble, this was Hopper's attempt at something more experimental.

Hugh Hopper - Hooligan Romantics (1994)  Music

Posted by TestTickles at Nov. 9, 2015
Hugh Hopper - Hooligan Romantics (1994)

Hugh Hopper - Hooligan Romantics (1994)
EAC Rip | FLAC with CUE and log | scans | 425 mb
MP3 CBR 320kbps | RAR | 182 mb
Genre: jazz rock, classic rock

Hooligan Romantics is the 1994 CD by Hugh Hopper, who is known as the guy who replayed Kevin Ayers of Soft Machine, which lead to the group getting a lot more attention.

Hugh Hopper - Hopper Tunity Box (1976) [Reissue 2007]  Music

Posted by hill0 at Aug. 3, 2015
Hugh Hopper - Hopper Tunity Box (1976) [Reissue 2007]

Hugh Hopper - Hopper Tunity Box (1976) [Reissue 2007]
EAC Rip | APE (image & cue & log) | 288 MB | MP3 CBR 320 kbps | 133 MB | Scans | 41:09
Genre: Progressive Rock / Canterbury / Jazz Rock | Country: UK | Label: Cuneiform Records | Rune 240

This was Hugh Hopper's second solo album but the first he released after leaving SOFT MACHINE. Hugh hooked up with recording engineer Mike Dunne who had been the assistant engineer on his first record ("1984"). Mike was now in charge of the mobile studio of Jon Anderson of YES. Mike suggested that he could provide the studio while Hugh would provide the music and musicians. Hugh notes: "By the time I had arranged the music into some sort of coherent order and invited the various guest musicians, Mike's studio was set up in one of London's big film sound studios, where YES rehearsed for tours. Jon Anderson occasionally popped his head around the door when we were beavering away at some tricky tape-looping or double-speeded bass, and Steve Howe looked in once, I seem to remember. I knew them slightly anyway, from SOFT MACHINE tours when the two bands came together at festivals".