This latest recording by the Cincinnati Symphony Orchestra and its Music Director Paavo Järvi features two of the best known orchestral works to come out of England in the twentieth century, Gustav Holst's popular suite for orchestra, “The Planets” and The Young Person's Guide to the Orchestra by Benjamin Britten.
"Planets" - a documentary film by Ken Russell with the music of composer Gustav Holst in the performance of the Chicago Philharmonic Orchestra.
Collage assembled from fragments of films, newsreels and advertisements from around the world and covers a wide period of time. Russell has received special permission from the composer's daughter, where she set a condition not to use pictures that show the atrocities of war. Therefore, we can only imagine what would be the choice of masters for the first theme: Mars.
The film is completely devoid of narration and voice acting, but his musical arrangement, which is based on the plot, the narrative has the same meaning as the video sequence, and, in fact, creates the atmosphere.
This is very unusual, stunning film was undeservedly forgotten. Want to believe that better quality video would be available soon …
In this orchestral suite of 7 pieces. Each planet of the solar system (except Earth and Pluto) is devoted to his own plays, which, in principle, quite distinct (ie it can be executed and obeyed and separately).
Gustav Holst's "The Planets" is a brilliant portrayal of the other celestial bodies outside of Earth (except for Pluto because it wasn't discovered back when Holst composed this). Mars is violent and in a military march form. Parts of it have the brassy dominating sound resembling that of Darth Vader's theme. Venus sounds like something out of a black-and-white romantic movie, high lush strings, celesta, french horn and all, a personal favorite. Mercury is a very playful sounding piece, strong emphasis on the woodwinds and strings. Jupiter is definately my favorite…
Although best remembered for his devotion to the core Austro-Germanic repertoire, Austrian conductor Herbert von Karajan did flirt with the English repertoire in the '50s and early '60s.
This version of Holst’s endearing masterpiece, “The Planets”, sounds very good in Naxos’ super audio 5.1 technology. I do not have the point one (subwoofer) hooked up in my house and assume, by listening to the recording in 5.0, that the timpani — which are already very powerful and forward placed — would be explosive if you listened in 5.1. The sound is very good otherwise, with wide ranging and natural orchestral body and timbre. It is not the best super audio sound I’ve heard but it is good and a big improvement over the stereo sound on the last version of “The Planets” I purchased, the one Berlin Philharmonic and Simon Rattle released last year.
The Planets, composed between 1914 and 1916, is a suite of seven movements. Holst's starting point for the music was the astrological character of each planet, though his interest in astrology went no deeper than its musical suggestiveness…
This hybrid SACD contains stereo and 4.0 multi-channel audio and I think it's fantastic!
In essence, Tomita's The Planets is an electronic rendition of The Planets by Gustav Holst. The idea of messing with a classic like The Planets might offend some, but not me - I love it! His interpretation is incredibly imaginative and works a treat because each piece manages to capture some of the mood and emotion of the original as scored by Holst, yet also adds something to make it sound truly special. Not only does it work tremendously well as a piece of music, it sounds great too i.e. it sounds spectacular in stereo and multi-channel, as hi-res music should.
Some composers really deserve their reputation as artists whose fame rests on a single work, but with Holst the popularity of The Planets really has obscured the large quantity of good music he wrote in other forms. Part of the problem also stemmed from his daughter, Imogene, who was severely critical of her father's work and whose baleful influence persists to this day. These three choral ballets contain a large measure of delightful and wholly characteristic music. It's crime that we have had to wait until now for a complete recording of them, and fortunately these performances make a strong case for many more.