Roger Brown works as one of the most powerful headhunters in Norway. To support his extravagant lifestyle, he is also an art thief, which he does in cahoots with his friend, the gun toting Ove Kjikerud. They replace the originals with forgeries, which go undetected at least until the trail back to them goes cold. His outward bravado, based primarily on building upon reputation, masks his insecurities, especially in his short physical stature.
Years of struggle had turned Cold Chisel into one of Australian rock's all-time great bands – many would argue the greatest. But the years had also taken their toll and, by the early '80s, rifts had begun to drag on the band. Drummer Steve Prestwich called it quits in June 1983. Two months later, the band put out a press release saying it was disbanding and in December played its final concerts to sold-out audiences at the Sydney Entertainment Centre. The shows were filmed for the documentary Last Stand: this is the film's soundtrack and the cream of those concerts. Undoubtedly a chunk of Aussie rock history, this album also stands purely on the strength of its content. Impassioned renditions of 16 of Chisel's best numbers (three of which – "Twentieth Century," "Flame Trees," and "Janelle" – had not as yet been released) delivered to rabid audiences show that the guys could still get their mojo working in overdrive and that, to the end, Cold Chisel were a great live act.
The production of a new Ring at the Bayreuth Festival is an event that takes place every six years. Bayreuth recordings of the complete cycle are rare; this is only the third official audio recording and the second filmed version. The Kupfer/Barenboim Ring was performed over a five-year period and recorded at the conclusion when the "Bayreuth Workshop" had raised "the quality of the performance to an almost unsurpassable level".