In March 2005 Eleni Karaindrou presented what she called “a scenic cantata” at the Megaron in Athens, a tour through her music for film and theatre, with musical themes newly combined and contrasted. A live audio recording, “Elegy of the Uprooting”, was issued in 2006: “The two-CD set interweaves excerpts of her music from 13 different scores spanning more than two decades, although the irresistible congruence of the music is such that newcomers to Karaindrou’s oeuvre would be forgiven for thinking this is newly composed. The music seduces by its profound beauty, tenderness and candour.”. – International Record Review. Here is the video and audio document of the event.
Elegy is the ECM leader debut by vocalist and composer Theo Bleckmann. A prolific recording artist, his association with the label dates back to Meredith Monk's 2002 date Mercy and its follow-up, Impermanence, in 2008 (Bleckmann was a member of her ensemble for 15 years). His voice was also a focal point of Julia Hulsmann's quartet on 2015's Clear Midnight: Kurt Weill & America. For a singer who draws attention to himself almost as much for what he doesn't do as what he does, Elegy is a quiet yet startling offering.
Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Coban and his four comrades are smugglers who live in the bleak, inaccesable mountains. They are hard, pitiless men like the county they live in, whose daily commerce is in greed, danger, betrayal and murder.