Elegy is the ECM leader debut by vocalist and composer Theo Bleckmann. A prolific recording artist, his association with the label dates back to Meredith Monk's 2002 date Mercy and its follow-up, Impermanence, in 2008 (Bleckmann was a member of her ensemble for 15 years). His voice was also a focal point of Julia Hulsmann's quartet on 2015's Clear Midnight: Kurt Weill & America. For a singer who draws attention to himself almost as much for what he doesn't do as what he does, Elegy is a quiet yet startling offering.
Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Coban and his four comrades are smugglers who live in the bleak, inaccesable mountains. They are hard, pitiless men like the county they live in, whose daily commerce is in greed, danger, betrayal and murder.
In Okayama in the mid-1930s, Kiroku attends high school and boards with a Catholic family whose daughter, Michiko, captures his heart. He must, however, hide his ardor and other aspects of his emerging sexuality, focusing his energy on a gang he joins, breaking school rules, and getting into scuffles (he tells her, "Oh, Michiko, I don't masturbate, I fight"). He comes under the influence of a young tough nicknamed Terrapin, and together they lead fights against rival gangs. Gradually, Kiroku and Terrapin align themselves with the right-wing Kita Ikki, and Kiroku becomes a stand-in for the attitudes of Japanese youth who embraced the imperialism leading to World War II.