Herbie Hancock Soundtrack

Herbie Hancock - Blow-Up: Original Motion Picture Soundtrack (1966) Remastered 1996 [Re-Up]

Blow-Up - Original Motion Picture Soundtrack - Music Composed by Herbie Hancock (1966)
Remastered 1996

EAC | FLAC | Tracks (Cue&Log) ~ 207 Mb (incl 5%) | Mp3 (CBR320) ~ 106 Mb (incl 5%) | Scans ~ 121 Mb
Genre: Soundtrack | Label: Rhino Movie Music | # R2 72527 | Time: 00:43:40

This is the original soundtrack for the movie Blow-Up. In late 1966, Herbie Hancock, Freddie Hubbard, Joe Henderson, Ron Carter and Jack DeJohnette entered a New York studio to capture the vibe of 'swinging London' in a jazz mode - with grooves that create effective bluesy moods on the slow pieces and funky ones on the up-tempo tracks. Meanwhile in London, the Yardbirds (with Jeff Beck and Jimmy Page) were recording additional material for use in the Blow-Up movie soundtrack.
Dave Pike - Jazz For The Jet Set (1965) {Atlantic Masters-Warner Jazz 8122-73527-2 rel 2001 with Herbie Hancock}

Dave Pike - Jazz For The Jet Set (1965) {Atlantic Masters-Warner Jazz 8122-73527-2 rel 2001 with Herbie Hancock}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 227 Mb | MP3 @320 -> 89 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 1965, 2001 Atlantic / Warner Jazz | Atlantic Masters Series | 8122-73527-2
Jazz / Soul Jazz / Hard Bop / Groove

This disc is a bit unusual in a few ways. Vibraphonist Dave Pike sticks here exclusively to the marimba, while pianist Herbie Hancock is heard throughout on organ, an instrument he rarely played again. The band also includes two trumpeters (most notably Clark Terry who has a few short solos) and a rhythm section with guitarist Billy Butler. Most of the music consists of obscurities and is open to the influences of the boogaloo and pop rhythms of the era; highlights include Hancock's "Blind Man, Blind Man," "Sunny" and "Devilette." An interesting effort.
Herbie Hancock - The Best Of (The Blue Note Years) (1988) Reissue 1995 [Repost, New Rip]

Herbie Hancock - The Best Of (The Blue Note Years) (1988) Reissue 1995
EAC | FLAC | Tracks (Cue&Log) ~ 396 Mb (incl 5%) | Mp3 (CBR320) ~ 161 Mb (incl 5%) | Scans included
Hard Bop, Post-Bop, Piano Jazz, Modal | Blue Note | # CDP 7 91142 2, 0777 7 91142 2 1 | 01:03:47

Mirroring his onetime boss and mentor Miles Davis' own protean output, Herbie Hancock has explored hard bop, soul-jazz, fusion, funk-rock, soundtracks, hip-hop-inflected pop ("Rockit"), and many permutations in between. His early work for Blue Note, though, offers the best entrée for newcomers. Compiled from five of his albums for the label and covering a period from 1962-1968, this fine sampler includes highlights from his debut, Takin' Off ("Watermelon Man"), the classic Maiden Voyage (the title track and "Dolphin Dance"), and the early electric album Speak Like a Child (the title track and "Riot"). Add to this more indelible cuts like "Cantaloupe Island" and "One Finger Snap," not to mention the presence of numerous '60s jazz luminaries (Dexter Gordon, Freddie Hubbard, Thad Jones, Hank Mobley, Billy Higgins, et al.), and you have perfect way to get a taste of some of the best modern jazz committed to wax.
Herbie Hancock - The Early Years: Selected Recordings 1961-62 (2016)

Herbie Hancock - The Early Years: Selected Recordings 1961-62
Jazz | MP3 CBR 320 kbps | 140:44 min | 322 MB
Label: Acrobat | Tracks: 21 | Rls.date: 2016

Herbie Hancock is an innovative and influential jazz pianist, keyboard player, bandleader and composer who has embraced other musical developments during his career, playing funk and using synthesisers as he explored beyond the scope of the post-bop style which he helped to define as a member of Miles Davis second great quintet from 1963.
Herbie Hancock - Head Hunters (1973) [APO Remaster 2016] PS3 ISO + Hi-Res FLAC

Herbie Hancock - Head Hunters (1973) [Analogue Productions' Remaster 2016]
PS3 Rip | SACD ISO | DSD64 2.0 & DST64 4.0 > 1-bit/2.8224 MHz | 41:33 minutes | Full Scans included | 2,53 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | 41:53 mins | Scans included | 857 MB
Features Stereo and Quadrophonic surround sound
Herbie Hancock Trio with Ron Carter + Tony Williams - Herbie Hancock Trio '81 (1981) {Sony Music Japan SRCS 9172 rel 1996}

Herbie Hancock Trio with Ron Carter + Tony Williams - Herbie Hancock Trio '81 (1981) {Sony Music Japan SRCS 9172 rel 1996}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 261 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 1981, 1996 Columbia / Sony Music Japan | SRCS 9172 | Master Sound
Jazz / Post Bop / Piano Trio

Herbie Hancock's second album released under this title, 1982's The Herbie Hancock Trio features the pianist backed by his fellow former Miles Davis alum, bassist Ron Carter and drummer Tony Williams. As with the trio's 1977 debut, the 1982 outing finds the group reuniting for a set of standards and originals. This is swinging, sophisticated jazz done in a straight-ahead style. Recorded at CBS/Sony Shinanomachi Studio, Tokyo, Japan on July 27, 1981 by Sony PCM-1600 Digital Recording System.

Herbie Hancock - Fat Albert Rotunda (1969) {Warner}  Music

Posted by tiburon at June 4, 2016
Herbie Hancock - Fat Albert Rotunda (1969) {Warner}

Herbie Hancock - Fat Albert Rotunda (1969) {Warner}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 217MB + 5% Recovery
MP3 CBR 320 Kbps | 89MB + 5% Recovery
Genre: Jazz, Jazz-Funk

Centered around some soundtrack music that Herbie Hancock wrote for Bill Cosby's Fat Albert cartoon show, Fat Albert Rotunda was Hancock's first full-fledged venture into jazz-funk and his last until Head Hunters making it a prophetic release. At the same time, it was far different in sound from his later funk ventures, concentrating on a romping, late-'60s-vintage R&B-oriented sound. with frequent horn riffs and great rhythmic comping and complex solos from Hancock's Fender Rhodes electric piano. The syllables of the titles alone "Wiggle Waggle," "Fat Mama," "Oh! Oh! Here He Comes" have a rhythm and feeling that tell you exactly how this music saunters and swaggers along just like the jolly cartoon character. But there is more to this record than fatback funk. There is the haunting, harmonically sophisticated "Tell Me a Bedtime Story" (which ought to become a jazz standard), and the similarly relaxed "Jessica."
Herbie Hancock - Thrust (1974) [Audio Fidelity 2016] PS3 ISO + Hi-Res FLAC

Herbie Hancock - Thrust (1974) [Audio Fidelity 2016]
PS3 Rip | SACD ISO | DSD64 2.0 & DST64 4.0 > 1-bit/2.8224 MHz | 38:49 minutes | Scans included | 2,62 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 796 MB
Features Stereo and Quadrophonic surround sound | SACD Mastering by Kevin Gray | Audio Fidelity # AFZ5 223

Herbie Hancock - Future Shock (2000)  Music

Posted by varrock at Feb. 18, 2016
Herbie Hancock - Future Shock (2000)

Herbie Hancock - Future Shock (2000)
MP3 CBR 320 kbps | Tracks: 6 | 37:58 min | 100 Mb
Style: Electronic, Future Jazz, Electro, Funk | Label: Sony Music

The three electronic, hip-hop-influenced albums Herbie Hancock recorded during the 1980s–of which Future Shock was the first, followed by Sound System and Perfect Machine–have been the most maligned by fans of his enormously influential '60s-era jazz work. The reissue of all three albums, each newly remastered with bonus mixes and new liner notes, makes it clear Hancock was much more than simply a jazz pianist reaching for a pop crossover audience.
Herbie Hancock - Dedication (1974) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Herbie Hancock - Dedication (1974) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 190 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 247 Mb | 5% repair rar
© 2014 Columbia / Sony Music Japan | SICP 4049 | DSD Remaster
Jazz / Post Bop / Fusion / Piano / Electric Keyboards

Reissue with latest DSD remastering. Comes with liner notes. This is a unique experiment in the Hancock discography, recorded in Tokyo in just one day during a tour of Japan. The first side contains two introspective, complex solo acoustic piano tracks, "Maiden Voyage" and "Dolphin Dance," which are notable since they date from a period when Hancock was supposedly totally immersed in electronics. Side two has two even more unusual pieces – "Nobu," a one-man show recorded in real time with the sample-and-hold feature of an ARP 2600 synthesizer providing a rhythm section for Hancock's electric keyboards, followed by "Cantaloupe Island" with a pre-recorded synth bassline.