Herbert Von Karajan 24 Bit

Herbert von Karajan, BPO - Mozart: Serenade No.13 / Divertiment No.15 (1965/2015) [Japanese SHM-SACD 2015] PS3 ISO + FLAC

Herbert Von Karajan, Berlin Philharmonic Orchestra - Mozart: Serenade No.13 / Divertiment No.15 (1965/2015)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 54:41 minutes | Scans NOT included | 1,42 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans NOT included | 1,08 GB
DSD Remaster based on Deutsche Grammophon analog tape / Universal Japan, SHM-SACD # UCGG-9072
Herbert von Karajan, BP - Tchaikovsky: Symphony No.3 'Polish'... [Japanese SHM-SACD 2016] PS3 ISO + Hi-Res FLAC

Herbert von Karajan, Berliner Philharmoniker - Tchaikovsky: Symphony No.3 'Polish', Marche Slave, Capriccio Italien (2016)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 73:16 minutes | Scans NOT included | 2,15 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans NOT included | 1,43 GB
DSD Remaster based on Deutsche Grammophon analog tape / Universal Japan, SHM-SACD # UCGG-9015
Berliner Philharmoniker, Mstislav Rostropovich, Herbert von Karajan - Dvorák & Tchaikovsky (1968/2012) [24/192]

Berliner Philharmoniker, Mstislav Rostropovich, Herbert von Karajan - Dvorák & Tchaikovsky (1968/2012)
FLAC (tracks) 24-bit/192 kHz | Time - 60:20 minutes | 2.05 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Mstislav Rostropovich is the world's greatest cellist, and he has actually made at least five recordings of this greatest of all cello concertos. I have a certain preference for his later version, with Seiji Ozawa and the Boston Symphony Orchestra on Erato. This version has long been a prime recommendation, and in this new remastering at mid-price, it's an even better deal now. Herbert von Karajan accompanies with his usual expertise, and the Tchaikovsky performance is quite simply the finest around. This concerto is one of those pieces of which you'll want to have five or six copies. Just make sure this is one of them. –David Hurwitz
Herbert Von Karajan, BP - Sibelius: Symphony No.2, The Swan Of Tuonela, Finlandia (2011) PS3 ISO + Hi-Res FLAC

Herbert Von Karajan, Berlin Philharmonic - Jean Sibelius:
Symphony No.2 / The Swan Of Tuonela / Finlandia (1977/81)

PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 65:53 minutes | Scans NOT included | 1,75 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans NOT included | 1,19 GB
Japanese Remastered Reissue '2011 / Esoteric Company, Japan # ESSE-90058
Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002

Wolfgang Amadeus Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002
Anna Tomowa-Sintow (soprano), Agnes Baltsa (contralto), Werner Krenn (tenor), José van Dam (bass)
Wiener Singverein, Berlin Philharmonic Orchestra, conducted by Herbert von Karajan
Recording: Berlin, 9/1975

EAC | APE | Tracks (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 133 Mb | Scans included
Classical, Choral | Label: Deutsche Grammophon | # 471 639-2 | Time: 00:53:12

Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness. In this account, the orchestra is paramount, followed in importance by the chorus, then the soloists. Not surprisingly, the singing of the solo quartet sounds somewhat reined-in, especially considering these singers' pedigrees. By contrast, the Vienna Singverein, always Karajan's favorite chorus, sings with a huge dynamic range and great intensity, though with an emotional detachment nonetheless. Perfection, if not passion or poignancy, is the watchword. The Berlin orchestra plays majestically, and the sound is pleasingly vivid.
Berliner Philharmoniker, Herbert von Karajan - Schubert: Symphonie No. 9 & Rosamunde Ballet Music (1978/2013) [24/96]

Berliner Philharmoniker, Herbert von Karajan - Schubert: Symphonie No. 9 & Rosamunde Ballet Music (1978/2013)
FLAC (tracks) 24-bit/88.2 kHz | Time - 68:12 minutes | 1.18 GB
Studio Master, Official Digital Download | Artwork: Front Cover

There are those who would argue that the Berlin Philharmonic under Herbert von Karajan was a magnificent instrument for the later Romantics Brahms, Bruckner, Wagner, and Strauss. There are others, however, who would argue that Karajan and the BPO were too magnificent for the earlier Romantics Mendelssohn, Schumann, and especially Schubert. They would say that the lushly, plushly, voluptuously sensual sound of the BPO simply overwhelmed the lighter, brighter, and more lyrical early Romantics. And while a few might concede that the BPO may be acceptable in Mendelssohn’s Italian or Schumann’s Rhenish, even they would say that they were all wrong for Schubert.
Mstislav Rostropovich, Herbert von Karajan, Berliner Philharmoniker - R. Strauss: Don Quixote (1976/2017) [24/96]

Mstislav Rostropovich, Herbert von Karajan, Berliner Philharmoniker - R. Strauss: Don Quixote (1976/2017)
FLAC (tracks) 24-bit/96 kHz | Time - 43:49 minutes | 781 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Commanding the podium with his slender figure, theatrical shock of hair and penetrating blue eyes, Herbert von Karajan projected the hieratic image of the conductor as officiant of some quasi-mystic rite. And anyone who ever saw him conduct live or on his many audiovisual recordings will agree that in his performances, music did indeed become a religion and Karajan its high-priest. Karajan (1908-1989) embodied classical music in the general consciousness as an epoch-making conductor, media star, opera producer, festival director and festival founder.
Berliner Philharmoniker & Herbert von Karajan - Mendelssohn: Symphonies Nos. 3 & 4; Hebrides Overture (1971,1973/2016) [24/96]

Berliner Philharmoniker & Herbert von Karajan - Mendelssohn: Symphonies Nos. 3 & 4; Hebrides Overture (1971,1973/2016)
FLAC (tracks) 24-bit/96 kHz | Time - 78:34 minutes | 1.52 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

“Karajan's Berlin Philharmonic performance is worthy of Mendelssohn's inspiration, and this album makes a splendid memento of a famous Scottish visit.” (Penguin Guide)
Wiener Singverein, BPO & Herbert von Karajan - Beethoven: Symphony No. 9 (1976/2012) [Official Digital Download 24/96]

Wiener Singverein, BPO & Herbert von Karajan - Beethoven: Symphony No. 9 (1976/2012)
FLAC (tracks) 24-bit/96 kHz | Time - 67:12 minutes | 1.12 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Herbert von Karajan's 1976 rendition of Ludwig van Beethoven's Symphony No. 9 in D minor, "Choral," Op. 125, has had its advocates over the years, and many think this is his best version of the symphony. Even so, others more skeptical may find that this performance is too carefully contrived to show off the Berlin Philharmonic's exceptional chops; that the recording is too fastidiously engineered to pick up every last instrumental passage, important or not; and that the whole package is marketed too pointedly as a "great performance," which it is not.
Alexis Weissenberg, Herbert von Karajan - Rachmaninov: Piano Concerto No. 2; Franck: Symphonic Variations (1973/2012) [24/96]

Alexis Weissenberg, Herbert von Karajan - Rachmaninov: Piano Concerto No. 2; Franck: Symphonic Variations (1973/2012)
FLAC (tracks) 24-bit/96 kHz | Time - 54:06 minutes | 1.03 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

A recording made in September 1972 which has never ranked very highly by admirers of either artist, but i found much to enjoy here. Karajan never seemed particularly engaged as an accompanist for pianists - the main prosecution witness could be his dire conducting for Christoph Eschenbach's DG recording of Beethoven's First Concerto, but he was a firm admirer of Weissenberg and their collaboration works pretty well.