Herbert Von Karajan 24 Bit

Berliner Philharmoniker, Herbert von Karajan - Ravel: Bolero; Debussy: La Mer; Mussorgsky; Pictures (1995/2015) [24/96]

Berliner Philharmoniker, Herbert von Karajan - Ravel: Bolero; Debussy: La Mer; Mussorgsky: Pictures (1995/2015)
FLAC (tracks) 24-bit/96 kHz | Time - 74:49 minutes | 1.43 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

„Here are examples of 'The Karajan Effect' at its most positive, and sounding, in these new transfers, fractionally more open, focused and fresh than before, with the billowing bass moderated and the dynamic range extended. Along with Karajan's own imaginative deployment of orchestral colour (to take one example: the extra gong with barely damped striker at the end of Pictures), the Berlin Jesus-Christus Kirche acoustics of these 1964-6 recordings add their own wonderful coloration and atmosphere (dark and cavernous at appropriate moments in Pictures).
Herbert von Karajan, Philharmonia Orchestra - Balakirev: Symphony No. 1 (2014) [Official Digital Download 24/96]

Herbert von Karajan, Philharmonia Orchestra - Balakirev: Symphony No. 1 (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 43:30minutes | 354 MB
Studio Master, Official Digital Download | Artwork: Front Cover

The Karajan Official Remastered Edition contains official remastering of the finest recordings the Austrian conductor made for EMI between 1946 and 1984, which are now a jewel of the Warner Classics catalog.
Herbert von Karajan, Philharmonia Orchestra - Beethoven: Symphonies Nos. 1-9 & Overtures (1951-1955/2014) [24/96]

Herbert von Karajan, Philharmonia Orchestra - Beethoven: Symphonies Nos. 1-9 & Overtures (1951-1955/2014)
FLAC (tracks) 24-bit/96 kHz | Time - 365:49 minutes | 5,02 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

This recording presents Karajan's first (and probably most thrilling) recording of the complete Beethoven Symphonies, made in the early 1950s with London's recently-founded Philharmonia Orchestra. The recording of the 9th Symphony is available here in stereo for the very first time, taken from original unreleased tapes.
Herbert von Karajan, Philharmonia Orchestra - Ballet Music From The Operas (1960/2014) [Official Digital Download 24/96]

Herbert von Karajan, Philharmonia Orchestra - Ballet Music From The Operas (1960/2014)
FLAC (tracks) 24-bit/96 kHz | Time - 46:20 minutes | 980 MB
Studio Master, Official Digital Download | Artwork: Front cover

Herbert von Karajan conducts the Philharmonia Orchestra in ballet music from the operas Aida, Khovanshchina, Prince Igor, La Gioconda, and Tannhäuser.
Herbert von Karajan, Philharmonia Orchestra - Promenade Concert (1961/1980/2014) [Official Digital Download 24/96]

Herbert von Karajan, Philharmonia Orchestra - Promenade Concert (1961/1980/2014)
FLAC (tracks) 24-bit/96 kHz | Time - 46:17 minutes | 997 MB
Studio Master, Official Digital Download | Artwork: Front cover

Herbert von Karajan leads the Philharmonia Orchestra in performing works by Waldteufel, J. Strauss I & II, Chabrier, Weinberger, and Offenbach.
Leontyne Price, Wiener Philharmoniker & Herbert von Karajan - Puccini: Tosca (1963/2017) [TR24][OF]

Leontyne Price, Wiener Philharmoniker & Herbert von Karajan - Puccini: Tosca
Classical | FLAC (tracks) 24-bit/96 kHz | 112:44 min | 2.44 GB | Digital booklet
Label: Decca | Tracks: 29 | Rls.date: 1963/2017

The dramas of Victorien Sardou, in the last decades of the nineteenth century, were as popular in Italy as they were in France. French companies, therefore, could tour the Italian theatres and attract large audiences willing to ignore any language barrier. Giacomo Puccini knew hardly any French when he went to see Sardou’s La Tosca in Milan in 1890, and yet he apparently enjoyed himself. Actually, he may have gone to the theatre — like a majority of the Milanese public — not so much to see the play as to admire its star, the forty-five-year-old Sarah Bernhardt, to whom La Tosca is dedicated and for whom it was written.
Herbert von Karajan, Berliner Philharmoniker - Karajan Conducts Wagner Vol. 1 (1958/2012) [Official Digital Download 24/96]

Berliner Philharmoniker, Herbert von Karajan - Karajan Conducts Wagner Vol.1 (1958/2012)
FLAC (tracks) 24-bit/96 kHz | Time - 52:36 minutes | 997 MB
Studio Master, Official Digital Download | Artwork: Front cover

Renowned conductor Herbert von Karajan leads the Berlin Philharmonic Orchestra through treasured pieces by Wagner. This essential release includes “Tannhauser: Overture”, “Tannhauser: Venusberg Music”, “Lohengrin: Prelude (Act I)” and “Tristan und Isolde: Prelude and Liebstod”.
Herbert von Karajan & Adrian Boult - Holst - Les Planetes (2016) {Les indispensables de Diapason}

Herbert von Karajan & Adrian Boult - Holst - Les Planetes (2016)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 383 mb | MP3 CBR 320kbps | RAR | 207 mb
Classical, Orchestral | Label: Les indispensables de Diapason / No. 82

Although best remembered for his devotion to the core Austro-Germanic repertoire, Austrian conductor Herbert von Karajan did flirt with the English repertoire in the '50s and early '60s.
Anne-Sophie Mutter & Herbert von Karajan - Beethoven: Violin Concerto (1980/2015)

Anne-Sophie Mutter & Herbert von Karajan - Beethoven: Violin Concerto
Classical | FLAC (tracks) 24-bit/96 kHz | 48:23 min | 879 MB | Digital booklet
Label: Deutsche Grammophon | Tracks: 03 | Rls.date: 1980/2015

A legend in his lifetime for his interpretations of Beethoven, Herbert von Karajan recorded a large swathe of the composer's oeuvre. Here, Karajan conducts the Berlin Philharmonic Orchestra, with violin soloist Anne-Sophie Mutter.
Herbert von Karajan - Strauss, R.: Ein Heldenleben / Wagner: Siegfried-Idyll (1996/2016)

Herbert von Karajan - Strauss, R.: Ein Heldenleben / Wagner: Siegfried-Idyll
Classical | FLAC (tracks) 24-bit/96 kHz | 65:23 min | 1.25 GB | Digital booklet
Label: Deutsche Grammophon | Tracks: 07 | Rls.date: 1996/2016

You have to hand it to Strauss: using his success as the basis for a 40-minute tone poem suggests no limit to confidence. It was, of course, the end of the century (1898) and a self-celebratory mood was in the air. Yet there's no lack of conviction in the music either. From a powerful opening depicting "the hero" (the composer), we move through a vicious scherzo–the critics!–to an extended love scene with the hero's companion.