Karajan’s Deutsche Grammophon complete recordings is recorded on chronological order. From the “Magic Flute” overture of the 1938 recording used as first recording to the recording of the last in 1989, and the Symphony No.7 of Bruckner. There is no selling separately. It becomes ordering limited production.
Volume 2 of EMI's comprehensive Herbert von Karajan centenary edition gathers virtually all of the conductor's operatic and vocal output for the label in one place, taking up 71 CDs (Disc 72 contains complete librettos in the form of PDF files). I use the word "virtually" because the package omits four posthumously issued archival items taped live during the 1957-60 Salzburg Festivals (Beethoven's Missa solemnis, Brahms' German Requiem, Bruckner's Te Deum, and Verdi's Requiem). Otherwise, it's all here.
To celebrate what would have been Herbert von Karajan's 100th birthday on April 5, 2008, EMI has gathered together all of the conductor's recordings for the label in two super-budget boxed sets. Volume 1 weighs in at an imposing 88 discs and focuses on orchestral repertoire (the second volume consists of vocal and operatic works). The first nine discs encompass Karajan's EMI Vienna Philharmonic sessions…
Made after his official resignation from the Berlin Phil and six months before his death, this last recording is likely - at least in part - reflective of Karajan's mental tossing and turning before he died. We could gather that he felt quite wronged, and wanted to express forgiveness then to bid the world a farewell.
Walter Gieseking is joined by stellar wind players, including the great hornist Dennis Brain; and the Quintets have a gleaming, robust quality that make them irresistible. They were recorded in the mid- 1950s, a time when Gieseking sometimes operated on automatic pilot, but here he sounds involved and fluent; the keyboard part played with aristocratic grace and, where appropriate, sparkling high spirits. The filler is one of Herbert von Karajan's few successful Mozart recordings, aided immeasurably by the expert first-desk soloists of the Philharmonia.